Every Sunday in October is Poe Sunday, the day we celebrate the Master of Macabre, Edgar Allan Poe. This year, I’ll suggest the best movie adaptations of Poe’s work.
In the lingering post-pandemic era of Covid-19 and trump presidency, Roger Corman’s 1964 gothic horror triumph, The Masque of the Red Death has never seemed more relevant. Vincent Price’s sadistic portrayal of Prospero, the greedy devil-worshipping medieval ruler who tortured his peasant villagers and gave shelter to his wealthy courtiers from a plague, only to learn you can’t hide from death, is a chilling sublime performance that cemented his legacy as a horror legend.
Corman weaved two tales from Edgar Allan Poe, Masque of the Red Death and Hop-Frog to create this cult-classic and it’s one of his best. While he and screenwriters Charles Beaumont and R. Wright Campbell took several liberties with the stories, I find this adaption is the closest to any of Poe’s works.
Every Sunday in October is Poe Sunday, the day we celebrate the Master of Macabre, Edgar Allan Poe. This year, I’ll suggest the best movie adaptations of Poe’s work.
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Raul Garcia writes and directs this dark animated anthology of Edgar Allan Poe’s most beloved gothic tales, featuring both new voiceover and original pre-recorded narration from horror’s most legendary actors and directors. It’s colorful surrealist animation and perfectly ghastly for Poe lovers to watch on Halloween night.
Every Sunday in October is Poe Sunday, the day we celebrate the Master of Macabre, Edgar Allan Poe. This year, I’ll suggest the best movie adaptations of Poe’s work.
Atmospheric and spooky, House of Usher may be the best most faithful Poe story adaption that director Roger Corman ever created. Vincent Price, Mark Damon, and Myrna Fahey, earnestly chew through Richard Matheson’s screenplay so well, gothic drama oozing out of their pores in every scene, until that thrilling legendary cinematic end.
Unlike most Halloween fans, I do not get immediately sad after Halloween because there’s still so much spookiness going on to carry us through Thanksgiving, through the holidays, all the way into next year. What a fabulous time to be a horror fan because there are some incredible apparel, collectibles, products, and amazing box sets of the greatest films in history out there, and, for the next 5 weekends, I’m going to post my gift-giving guides for your favorite Halloween and Horror fans.
The Bela Lugosi Collection at CreepyCo. ($10-70) https://www.creepycompany.com/collections/bela-lugosi Lugosi Enterprises is dedicated to preserving the memory and legacy of the man forever associated as Count Dracula. They’ve been quite savvy, selective, and tenacious about their licensing agreements in recent years and that’s more apparent than ever with their deal at Creepy Co. This holiday, you can find some awesome apparel, including button-up shirts, t-shirts, PJs, socks, enamel pins, and much more.
Custom designed Bedding and Bathwares – There will be Cute at Society 6 ($17-$120) https://society6.com/therewillbecute Artist and illustrator Caley Hicks brings her world-class spooky cute to Society 6 with these Halloween baths and bedding sets. Normally, I’d include Caley’s works in an upcoming Artist gift-giving guide, but I’m in love with the idea of having a Headless Horseman decorated bathroom.
Magnetic Poetry – Edgar Allan Poet Kit ($12.95) https://magneticpoetry.com/collections/themed-kits/products/edgar-allan-poet Is your horror fan a haunting, witty wordsmith with a gothic heart? Well, here’s their chance to shine with this unique and fun way to create original refrigerator poetry, inspired by the Master of the Macabre, Edgar Allan Poe.
Dead Sled Coffee ($18-$20) https://deadsledcoffee.com/ Why we don’t have coffee bars filled with coffee, horror, and heavy metal music on every corner is beyond me. For the people who don’t care where their coffee comes from, or, at the very least, trust that their favorite musicians and horror icons have lawyers and management that have already scoured Dead Sled’s ethics and ability to produce good-tasting environmentally friendly coffee.
Godzilla Jenga/Godzilla Monopoly ($22-40) https://toywiz.com/godzilla/diecast-microman-miscellaneous-toys-figures/ I don’t talk about Godzilla enough. He is the King of the Monsters after all, which is why I got so excited when I found a Godzilla version of Jenga and Monopoly from USAopoly. Why play Jenga when you can play Godzilla Jenga! Finally, a reason to be excited for family board game night. Just don’t let Grandma play as King Ghidorah.
100 Horror Movie Scratch-off Chart ($25) https://popchart.co/products/100-horror-movies-scratch-off-chart Whether you’re watching for the first time or revisiting old favorites, this is a cool way to keep track of the which classic horror films you’ve watched.
Elvira Meets Vincent Price Comics (($1.99 and up) https://www.comixology.com/Elvira-Meets-Vincent-Price-1/digital-comic/943748 Dynamite Entertainment brings the Mistress of the Dark together with the Merchant of Menace to save the world from Apocalyptic doom! In a madcap mix of comedy and horror, the Hollywood star spector and horror hostess with the mostess pair go together like peanut butter and jelly. Digital subscriptions start at $1.99, regular comics are $5, but special limited edition variant covers are for collectors only.
Frankenstein Complete Legacy Collection ($26-47) https://www.uphe.com/movies/frankenstein-complete-legacy-collection If for some reason the giant 30 film collection of the Universal Monsters Legacy Collection isn’t your jam, then consider getting The Frankenstein Complete Legacy Collection, which, in my opinion, contains all the best films of the Universal Monsters collection. including Abbott and Costello Meet Frankenstein.
Horror Movie Figure Collectibles from NECA ($39-70) https://necaonline.com/2020/12/12-days-of-downloads-2020-day-9-ultimates-visual-guide/ Start a yearly tradition of giving the gift of a horror movie 7″ scale action figure with accessories, officially licensed, made with high-quality materials, packaged in beautiful boxes. These are not toys, these are collectibles and horror fans should own them all. Well, at least one, your favorite one.
Halloween/Goth Shoes ($45-$120) https://strangecvlt.com/ I’ve heard it said if you’re gonna join a cult, then, join a shoe cult, and there’s no better place to start than Strange Cvlt shoes. From sandals to flats, Mary Janes to platform boots, this is the only socially acceptable fetish a girl can have without getting burned at the stake.
Friday the 13th Blu-ray Collection – Deluxe Edition ($129-159) https://www.amazon.com/Friday-Collection-Blu-ray-Betsy-Palmer/dp/B07GNV288V Bring Jason Vorhees home this holiday! Finally a worthy Blu-ray collection of the most successful, long-running slasher series in film history. All 13 movies, some digitally remastered in 4K and featuring a booklet, behind-the-scenes, commentaries, interviews, and special features in the most incredible packaging I’ve ever seen from Scream Factory.
Season’s Screamings Tickets – December 17-19, Pasadena Convention Center ($30-60-95) https://midsummerscream.org/seasons-screamings/ This one-of-a-kind holiday horror convention promises just as many chills and thrills as its parent-con Midsummer Scream, which was canceled earlier this summer. This is the place to find dark holiday gifts and spooky stocking stuffers. The event includes special ghoulish guests, over 200 exhibitors and vendors, and the Hall of Yuletide Spirits, a “dark showfloor of holiday themed haunts and yard displays, created by Southern Californias most talented haunted house creators.” Did I mention Pasadena is simply lovely this time of year?
Amazing Pre-order Gifts: Every penny is worth the wait!
☆Dying Light II Stay Human – Feb 4, 2022 ($60-80) https://dl2.dyinglightgame.com/ Techland’s sequel to the worldwide phenomenon Dying Light could be the dream of every gamer and zombie fan alike. Trailers and early play-throughs show a creative, technical, and visual feast. The first Dying Light game featured hours of gameplay, multiple DLCs, great customer and technical support, and developed a strong community of fervent players (like me) anxiously awaiting this new gaming adventure.
☆Mezco’s Monsters – Tower of Fear Deluxe Boxed Set – March-May 2022 ($95) https://www.mezcotoyz.com/5-points-mezcos-monsters-tower-of-fear Delight your inner child with this fabulous-looking multi-level diorama playset featuring 5 highly detailed poseable classic monsters and a host of accessories, all packaged in a collector-friendly box to bring your own favorite horror stories to life! This product is for collectors, not children.
☆Bela Lugosi as Dracula by Infinite Statue & Sideshow – June 2022 ($300-355) https://www.sideshow.com/collectibles/dracula-bela-lugosi-infinite-statue-909742?var=909743 Sideshow and Infinite Statue teamed up with Kaustic Plastik to give us the Dark Prince himself, Bela Lugosi! This handpainted, incredibly detailed sixth-scale figure features two different sculpted heads, ten poseable hands, fully costumed, accessories, and captures the beauty and essence of the most recognizable horror icon ever created. The Deluxe version features a spooktacular coffin for $355. This is the ultimate tribute to both the character of Count Dracula and the beloved actor who embodied him. A must-have collectible for vampire fans.
These movies are so painstakingly 80s, they serve as a tubular tribute to both spandex and bloodsplatter.
The Chopping Mall (1986)
The fear of machines taking over and destroying mankind was all the rage in 80s, and Chopping Mall delivered feathered hair and killer lasers in spades. One-time protégé of B-movie king Roger Corman, Director Jim Wynorski kicked off a long career of B-horror movies and exploitation films, with this story about of group of mall employees partying after hours, only to find themselves the target of the mall’s new nighttime security system. I’m sure the movie had some meaningful message about not having sex in furniture stores and trusting machines to do a man’s job, but who cares, we came to see robots vs. humans!
These formidable Dalek-looking knock-offs rack up a kill count that could make the Terminator proud. They start by impaling a couple of techs and electrocuting a night-time janitor, played by character actor and Corman alum, Dick Miller, before moving on to our horny co-eds, played by a cast of hot 80s hopefuls, including Kelli Maroney, Tony O’Dell, and the legendary Barbara Crampton, in one of her earliest roles. Our spunky protags fight back with Molotov cocktails, flares and propane tanks, but ya know, bad bots and their neon lasers gotta steal the show.
Honestly, most of the special effects are as cheesy as the gratuitous boob shots, but one death does stands out as unbelievably gory, even by today’s blood-thirsty audience standards. It wasn’t as well done as say, Scanners, but it probably was the highlight of Suzee Slater’s career. All and all, Chopping Mall isn’t the best killer robot movie in the world, but I think true horror fans will appreciate it, besides, once Hollywood figured out how to make heads explode, even bad 80s B-flicks got a little more interesting.
Pit and the Pendulum was a film of many seconds for director Roger Corman. It was the second film adapted from an Edgar Allan Poe story, written by author and screenwriter Richard Matheson, who penned such successful novels such as I am Legend and the Incredible Shrinking Man. It was second big hit for distributor American International Pictures, grossing over $2 million USD from a measly $300,000 budget. It was also the second time that Corman would work with Vincent Price and Barbara Steele, each of whom would go on to become horror icons based on their work in numerous horror films.
Loosely based on Edgar Allan Poe of the same name, the story revolves around a tenacious Englishman Francis Barnard who goes to foreboding castle in Spain, after hearing word that his sister Elizabeth has died. He confronts his brother-in-law Don Nicholas Medina, demanding to know how she died. While there, Barnard finds the grieving don is slowly losing his mind, convinced that his late wife is haunting the castle, a site once used in the Spanish Inquisition. The don’s sister and personal physician try to sooth Barnard’s suspicions that Nicholas had anything to do with the sister’s death by revealing the tragic childhood trauma (shown in color-tinted vignette style flashbacks) that inflicts the don, but as the dark night drags by, it becomes apparent that a more sinister plot is afoot.
Richard Matheson creates magic here by fleshing out the Poe’s torture chamber story bringing in the doomed Don Nicholas Medina, who already believes he’s cursed with same madness that drove his father to inflict unspeakable horror on the Spanish population, as well as his own family. In some ways, Matheson’s story is better than Poe’s gothic tale, giving audiences a backstory into understanding the horror the Poe wrote about.
The Merchant of Menace, Vincent Price, is at his best here, playing both a grieving man losing his sanity and his sinister father in flashbacks. His acting is somewhat melodramatic but entirely encouraged by dark dreamy orchestral score by Les Baxter. The always beautiful and haunting bright eyes of Barbara Steele turn in another wicked performance, cementing her legacy as a horror vixen, and John Kerr, Luana Anders and Antony Carbone also give strong memorable performances.
Despite the low-budget, Corman’s gothic adaption looked like million dollar film, with its vibrant color, gorgeous costuming, intricate set design, and carefully planned wide-angle shots by Floyd Crosby, the lusciously filmed Pit and the Pendulum only took 15 days to film. Shot entirely on a sound stages in California, Corman’s meticulous pre-production with his team, in particular, set designer, Daniel Haller, who created a real pendulum for the movie’s nightmarish ending sequence. The imposing pendulum was 18-feet long, weighed over 2,000 lbs and hoisted thirty-five feet in the air at the top of the sound stage above the actors. The blade was made of rubber, but a real metal blade covered in steel paint was switched out for the close shots, giving John Kerr some serious anxiety, which shows in his perspiring face during the final scenes.
This is my favorite Roger Corman and Vincent Price collaboration. It’s the scariest and best overall production, an absolute epitome of gothic horror, inspiring dozens of other filmmakers, from Hollywood to the Italian gallo films of the 60s. Horror at that time was changing in a way that the scares were no longer implied. Horror master Stephen King remembers the Pit and the Pendulum scene which Price’s don Medina finds the decayed corpse of his dead wife, as having changed the horror landscape, King says “the most important moment in the post-1960 horror film, signaling a return to an all-out effort to terrify the audience…and a willingness to sue any means at hand to do it.”