On this last day in November, I serve up a fresh list of intriguing or scary movies featuring cannibals. Holidays are all about eating. Thanksgiving just passed and I still have leftovers coming out my ears. Pretty sure, cannibals don’t have this problem. Anyways, if you’re feeling stressed, why not chill for a day, or the weekend, and have scary movie marathon.
These are my faves, but there are certainly other good cannibal films out there. This year, I shy away from Cannibal Holocaust exploitation type movies cuz horror movies should be fake, lest they become something else. The real killing of animals and the rape of women is just sickening and I want to do my part to hold people accountable. Fuck those movies.
Personally, I’m excited to see the recently released Bones and All starring Timothee Chalamet, Taylor Russell, and Mark Rylance. I might even add it to the list for next year.
Every Sunday in October is Poe Sunday, the day we celebrate the Master of Macabre, Edgar Allan Poe. This year, I’ll suggest the best movie adaptations of Poe’s work.
In the lingering post-pandemic era of Covid-19 and trump presidency, Roger Corman’s 1964 gothic horror triumph, The Masque of the Red Death has never seemed more relevant. Vincent Price’s sadistic portrayal of Prospero, the greedy devil-worshipping medieval ruler who tortured his peasant villagers and gave shelter to his wealthy courtiers from a plague, only to learn you can’t hide from death, is a chilling sublime performance that cemented his legacy as a horror legend.
Corman weaved two tales from Edgar Allan Poe, Masque of the Red Death and Hop-Frog to create this cult-classic and it’s one of his best. While he and screenwriters Charles Beaumont and R. Wright Campbell took several liberties with the stories, I find this adaption is the closest to any of Poe’s works.
Every Sunday in October is Poe Sunday, the day we celebrate the Master of Macabre, Edgar Allan Poe. This year, I’ll suggest the best movie adaptations of Poe’s work.
Atmospheric and spooky, House of Usher may be the best most faithful Poe story adaption that director Roger Corman ever created. Vincent Price, Mark Damon, and Myrna Fahey, earnestly chew through Richard Matheson’s screenplay so well, gothic drama oozing out of their pores in every scene, until that thrilling legendary cinematic end.
Every Tuesday in October 2022, we celebrate scary movies!
“Cults spread like wildfire across the southern states. Waitin’ for the messiah, but… he never came. Death came in its stead. And it came with teeth.”
2010’s Stakeland, directed by Jim Mickle is one of the best post-apocalyptic horror movies I’ve ever seen. Set in the near future, society collapses into religious zealotry and militia-run feudal terroritories when monsterous vampires take over the world.
Stakeland from IFC Films
Gossip Girl star Connor Paolo stars as a young man who finds a mentor in writer-producer Nick Damici’s mysterious drifter and expert vampire hunter, simply named Mister. Mister isn’t exactly a charming anti-hero, but he is totally badass and we’ll be so lucky if we find a teacher like him during our own dystopian journeys.
Every Halloween season I make it a point to revisit the classic Universal monster films. These are the films that cemented American’s love affair with horror. Watching my favorite old classic horror films is one of my biggest Halloween traditions. This week, I created spooky cocktail to honor Karl Freund’s classic The Mummy, starring the legendary Boris Karloff, with a drink I call Ode to the Mummy.
INGREDIENTS:
3 oz. Coffee 1.5 oz Cutwater Bali Hai Tiki Monkey Liquer 1.5 oz. Vodka 1 oz. French Vanilla Creamer or Cream Splash of Cream of Coconut
Good witches, bad witches, love witches, or scary witches, witches come in all variations. Whether you’re a new witch looking for guidance, an old witch looking inspiration, or not a witch at all, just someone looking for some spooky fun, here’s a list of my fave witchy movies and TV shows.
Full-length, remastered HD version of Night of the Living Dead, directed by George A. Romero, brought to us by Public Domain Films
Ever wonder how the most popular zombie film of all time, Night of the Living Dead ended up in U.S. public domain? Well, it happened after the original theatrical distributor, Walter Reade Organization, failed to replace a necessary copyight notice on the title card of the print of the film, after changing the movie’s title from Night of the Flesh Eaters to Night of the Living Dead.(1)
As a result of the distribution company’s error, George A. Romero immediately lost the rights to his film, and subsequently, millions of dollars in lost revenue, advertising and merchandising. In fact, up until Night of the Living Dead, zombie movies were about mind-controlled humans through manipulation, sorcery or voodoo. Romero was actually the first to create an undead flesh-eating creature that preys on the living. So, we can pretty much speculate that if Romero had retained the rights to Night of the Living Dead, every zombie book, film, TV and video game would have been controlled by George A. Romero.
Romero often expressed that losing the rights to his first feature film was one of his biggest regrets. The famed horror director passed away in 2017, after watching his creation grow into a monsterous sub-genre of horror. Strangely enough, Night of the Living Dead falling into public domain helped make zombies more popular, inspired creativity across the globe, helped spawn several horror franchises, and even launched the careers of some of today’s best horror directors. The entire zombie industry owes a debt of gratitude for its existence to this man. Maybe the universe knew the power to control zombies was too big a task for one human being.
It all worked out for George A. Romero too. As zombie popularity grew, Romero earned more opportunities to make movies, created projects, wrote books and comics, and even capitalized on his own notoriety as the “king of the zombie films.” In 1999, Night of the Living Dead was added to the U.S. National Film Registry for its historical and cultural significance.
After following in his father’s footsteps, cinematographer Mario Bava made his directorial debut with 1960 gothic horror, Black Sunday, aka, The Mask of Satan, about a witch named Asa Vajda from Moldavia, who vows revenge after she and her apprentice are condemned to death by her brother, the crown prince. Two centuries later, on Black Sunday, the day Satan walks the earth, a traveling physician and his assistant unwittingly bring the witch back to life. After turning her apprentice into a vampire, Asa immediately sets out to fulfill her cursed prophecy, by terrorizing her brother’s descendants.
Production started in late March 1960 and took less than two months to film, releasing in Italy in August of 1960. The film was a modest success, bringing in $140 million lire, earning back its production costs, but performed much better in Europe and the US. Despite being low-budget, Black Sunday was praised for its originality and vivid imagery, however, the gore and gruesome violence shown in the film drew much criticism and was even banned in the UK until 1968, when a heavily censored version, retitled as Revenge of the Vampire, was finally released. The uncut version wouldn’t be shown until 1992!
In the US, Black Sunday was shown as a double feature with Roger Corman’s The Little Shop of Horrors in February 1961. In order to make the film less objectionable, American censors edited the movie down three minutes, excluding such violent scenes as, the burning and branding of flesh, eyeball impalement, and blood spewing out from the mask as it was hammered onto witch’s face in the opening sequence.
Unknown British actress Barbara Steele was cast in the lead duel role of the evil witch vampire Asa and her innocent descendant Katia. Even though her voice was dubbed by another actress, audiences swooned over Steele’s haunting beauty and loved her villainous portrayal of the vengeful Asa. Barbara Steele reportedly had a hard time on set and gained reputation for being difficult, mostly due in part to the lack of communication and language barrier.
What was once shocking to audiences of the early sixties, holds the same magic to influence numerous artists and filmmakers over the years, including Francis Ford Coppola, who is said to have recreated several scenes in Bram Stoker’s Dracula, as a homage to Bava, and Tim Burton’s Sleepy Hollow, which borrowed imagery, namely, the iconic death by iron maiden scene. The horrifying story of revenge and all its extreme violence and sexual suggestions actually helped Black Sunday become a cult classic.
Hammer Film’s first incursion into the Frankenstein mythos, Curse of Frankenstein, spawned several sequels, all of them starring soon-to-be horror icon Peter Cushing as Victor Frankenstein. Directed by Terence Fisher, in what would be the first of many films that Fisher would make for Hammer Films, the film also starred a young Christopher Lee, playing the Monster, before he would go on to don Dracula’s cape for the next three decades.
Universal Films fought vehemently to protect their own Frankenstein film and its rights, which reflected heavily on many decisions Hammer made during filming. Make-up artist Phil Leaky created a brand-new look for the monster, and several key scenes from the novel were cut due to a limited budget. Despite its limitations, Curse of Frankenstein impressed many with its art direction, costuming, camera work, and the stellar cast, which also included English actor Hazel Court, (just starting out in her lengthy career as a horror queen), and Scottish stage and TV actor Robert Urquhart.
This story revolves around Frankenstein himself, rather than his creature, choosing to show the Baron as a more ambitious, egotistical and ruthless man; at the start of the story, he awaits execution for several murders. Hammer’s version of Dr. Frankenstein is a villainous man, willing to commit crimes, set up a man’s accidental death, aka murder, to obtain the parts he needs to create his creature, and even use the poor creature to kill opponents standing in the way of greatness. Since, the brain was damaged, it becomes apparent quickly that the monster has little intelligence and is too far too violent to control, thus, Frankenstein is forced to destroy his greatest creation. With the evidence gone, fate comes down to his younger associate Dr. Paul Krempe, the only witness to the experiments.
Colin Clive may have had the most memorable line in horror history, but it was Peter Cushing who was highly praised for the truly unforgettable performance of Victor Frankenstein, for fleshing out the character that audiences deemed charming and intriguing, in spite of his villainy. It was Cushing that helped inspire the mad scientist archetype and motivated Hammer to continue his story all the way into the 70s.
Curse of Frankenstein was Hammer’s first color film and considered by many to be the first truly gory film. The deep red blood and guts appeared gorier on screen than any other horror film of its time, causing a bit of uproar and scathing reviews. It even received an X rating for a time, when it opened at the London Pavilion in 1957. Despite receiving the lukewarm reviews from critics, audiences seemed to really like the film, grossing nearly $8 million, thus, putting Hammer Films squarely on the map.
It’s that time again. Time for all the kiddos to go back to school. Hollywood has long picked on teens to sell their worst nightmares to the delight of horror fans all over the world. Just when you thought there was nothing scarier than teenage angst and rampant acne, here’s ten Back to School thrillers that will make you glad that you’ve already graduated.
Prom Night (1980)
Chance of being killed is absolutely a good reason to skip the prom.
Four high schoolers, who made a pact in grade school never to reveal their involvement in the accidental death of a friend, are stalked by a masked killer on Prom Night, the anniversary of the death.
Unless you’re a diehard Idris Elba fan (which I am), I suggest watching original over the 2008 version. With Halloween and The Fog under her belt, star Jamie Lee Curtis secured the title of Scream Queen with Prom Night. The movie’s disco soundtrack became more popular with fans than the movie itself, but a copyright lawsuit killed its chances of US release. Original soundtrack was only released in Japan, making it a rarity among collectors but bootlegs are easily found these days.
Nightmare on Elm Street (1984)
No one sleeps through the night in this neighborhood.
Four teenagers are stalked through their dreams by the vengeful spirit of a janitor, and alleged child murderer, who was killed by the teen’s parents, years ago.
This film gave birth to one of horror’s most iconic killers, Freddy Krueger, played by the charismatic Robert Englund, and superstar Johnny Depp, in his film debut; and, it also saved New Line Cinema from bankruptcy, when the film made a killing at the box office. The screech of Krueger’s clawed glove is second most hair-raising sound in horror, the first being, the infamous chainsaw.
Halloween Horror Haiku 