Scariest Scenes in Horror

As we say goodbye to Spooky September to usher in the haunted Halloween season, I thought I’d share my picks for some of the scariest scenes in some classic horror movies.

Horror is perhaps the most subjective genre of all films, because what’s scary for one person, may not be scary to another. Yet, there seems to be some type of collective conscience of fear that most of us tap into when we see a scary moment on film.

Art by Nathan Thomas Milliner

It’s that one scene that chills us to the bone, or makes us throw the blanket over our head, or creates a tiny wave of spiders that crawl over our skin. Sometimes it’s a jump scare and sometimes it’s 4 minutes of terror that turns our spines into butter.

One of the best found-footage films to come out of the early 2000s, that spawned three sequels, this Spanish-language horror classic thrusts audiences into the dark and forces them to experience the frantic terror of a surviving film crew locked in an apartment building filled with zombies. There was an English remake called Quarantine in 2008, nearly identical to the original, scene for scene, as seen in the video below. The movie uses a shaky handheld camera to build tension and thr jump scares to terrorized movie goers, but perhaps the biggest scare ended up as the last shot of the movie.

A critical failure when first released, Session 9 is horror’s most underrated gem and now has a huge cult following. This slow-burn psychological horror is the story of an asbestos removal crew assigned to clean up the abandoned Danvers State Mental Hospital in less than a week. When one of the crew members Mike finds a box of session tapes belonging to a former patient named Mary, who suffers from dissociative identity disease, the terrifying truth of what happened to her one fateful night plays out as we slowly watch another member of the crew, Gordon, lose his grip on reality. By the end of the movie, we meet what we believe may be one of Mary’s most dangerous personalities, Simon, during session 9, the movie’s most chilling recording.

Another found footage supernatural horror gem that plays out like a pseudo-documentary, follows the sad decline of a woman named Deborah Logan, suffering from Alzheimer’s disease. At first, we feel sorry for the woman and her family, watching Deborah’s bone-chilling antics through the eyes of a camera lens, but soon we come to understand that a sinister being may actually be behind what’s taking hold of Deborah’s mind. It’s always scary whenever a movie uses real-life illnesses like Alzheimer’s or Cancer as a plot point, but no one was ready for that crazy cave scene.

Smart marketing and strong word of mouth spun the little unknown film from first-time director Oren Peli into a popular supernatural franchise. The first film initially cost only $15,000 to make and went on to gross $194 million dollars. Part of the successful marketing campaign showed trailers with audience reactions to the movie about a young couple Katie and Micah, who moved into a suburban tract home inhabited by a demonic spirit. Filmed with shaky cam, there were numerous jump scares and long intense shots seen through security camera style footage, which showed the couple’s sleepless nights. The scariest moment was watching Katie get pulled out of her own bed and brutally dragged down the dark hallway on day 20 of their terrifying ordeal.

Based on the untold files of real-life paranormal investigators Ed and Lorraine Warren. In 1971, the Warrens followed up their case about a possessed doll named Annabelle, by helping the Perron family, who claimed their newly purchased Rhode Island farmhouse was haunted by a malevolent spirit. Lorraine learns that spirit is named Bathesheba, a local witch and Satanist from Puritan times who cursed the land. Back before the days of cable and internet, the Perron parents entertained their five daughters with a variation of Hide and Seek, where the hiders clap their hands to clue in the blindfolded seeker of their location. Apparently, ghosts like to play games too.

Crowned the scariest film ever made by Broadband Choices in 2020, based on the analysis of viewer heart rates, Sinister follows a true crime writer Ellison Oswalt played by Ethan Hawk, as he moves his family to Pennsylvania, chasing inspiration for a new story that will bestow the same accolades and riches he gained for his first book. The new house is actually the sight of a gruesome murder that Oswalt has decided to write about. Oswalt finds a projector in the eerie attic and a box filled with old Super8 tapes spanning decades, all inconspicuously titled home movies, and all depicting a frightening juxtapose of several families enjoying their normal lives, followed by their grisly murders. The scariest is ‘Lawn Work ’86’, where viewers join the silent creepiness of the voyeuristic killer eyeing his next victims, that eventually cumulates into a giant jump scare involving a lawnmower. It’s a scene that’ll make anyone’s heart rate go up.

In last month’s blog post about Best Deaths in the Alien Movies, I picked the chestburster scene in Alien as best death scene in the whole franchise, but it’s also the scariest. It’s a shocking, gruesome, bloody death scene that not only changed the tone of the film, but the entire genre, securing Alien as the greatest SciFi Horror film ever made. The scene often parodied and duplicated by its own sequels, it’s probably the greatest jump scare of all time too.

Considered the first summer blockbuster ever, one of Steven Spielberg’s turned Peter Benchley’s commissioned best-selling novel into a sleek thriller about the seaside town of Amity Island terrorized by a man-eating shark over the July 4th weekend. The movie follows police chief Brody as he, a young marine biologist, and a colorful professional shark hunter track down the beast. Jaws is a study of fear and it all starts with the movie’s opening scene of a girl swimming naked in the ocean. This classic opener sets the tone of the movie and eventually becomes the catalyst of a fear of open water for millions of people worldwide.

I had a hard time picking the scariest scene from Stanley Kubrick’s adaptation of Stephen King’s best-selling horror novel, The Shining. The movie follows a writer Jack Torrance, who moves his wife Wendy and their son Danny to Colorado for the winter to become the caretaker of a magnificent haunted hotel. Between the ghosts and the cabin fever, this not so loving family slowly begins to unravel, espcially for young Danny who has the gift of telepathy, aka the Shine, which brings out the hotel’s former guests who never got a chance to properly checkout. There’s no jump scares, only a constant state of dread and mounting tension, accentuated by the unforgettable score. Nearly every scene is nightmare inducing, but if I have to pick the scariest, it’s gotta be Jack’s visit to the notorious Room 237.

Deemed by many as the greatest supernatural horror film of all time, William Friedkin’s adaption of William Peter Blatty’s The Exorcist, a story about an actress Christine MacNeil trying to save her young daughter Regan from demonic possession. Considered disturbing, shocking, and utterly vile by some viewers, the movie had people fainting and vomiting in the theaters. There was no doubt the movie was a cinematic masterpiece, as it won several Oscars, influenced pop culture, spawned sequels, influenced a new subgenre horror about demonic possession, and became the highest-grossing R-rated horror film until It in 2017, grossing a whopping $193 million with its theatrical run, a miracle considering how plagued the production was. The Exorcist went over budget and suffered several delays, including several crew deaths, leading to rumors that the film was actually cursed.

The infamous headturn scene, which has been parodied a thousand times over, is like nothing you’ve ever seen or heard. For all the foul-mouthed obscenities that are so commonplace nowadays, there’s just something morally reprehensible about the dialogue of this scene, the brutal violence shown, and the emotional agony from Christine trying to rescue Regan from a crafty demon. I’m not a particularly religious person, but it’s understandable why some people hate this film. My mother once said movies like this invite real evil into our world. I’m not sure if that’s true, but if it were, this is the movie that opened the floodgates.

You can find the Exorcist screaming on Max and AMC will air an edited version at 8:15 PT on Wednesday, October 2nd.

Monthly Haiku Corner – August

Happy August! We’re getting very close to the Halloween season. July was a shitshow and I’d like very much to leave the month behind. I promise more social media interaction, a recap of my time from Midsummer Scream along with lots of pictures, and an entertaining movie list for August.

This month’s theme is August Aliens. In celebration of Alien: Romulus from legendary Director and Producer Ridley Scott, which is the latest installment set in the Alien universe, one of my favorite franchises of all time. This month, I’ll pay tribute to the Xenomorph lore and also the dark fantastical artwork of beloved Swiss Artist and Designer H.R. Giger, original creator of Xenomorphs. Giger and the design and special affects team won an Academy Award for the sci-fi horror spectacle Alien, 1979.

dark corridors
alien lifeform unleashed
terror in deep space

Artwork by H.R. Giger. To see more wonders of Giger’s macabre biomechanical world and learn about this legendary artist, please visit H.R. Giger Museum.

Happy Father’s Day 2024

It’s been a while since I’ve had a chance to post about any horror movies. Seeing as it’s Father’s Day and people might be relaxing at Grandpa’s house, I thought I’d make a Scariest Dads of Horror list, in case you were worried your family was a buncha weirdos.

The guys on this list range from deranged psychotic killers to demonically possessed deranged killers. All of them have killed somebody, or several bodies, but those who try to kill their own family especially take the cake, cuz if Daddy wants to kill you, what chance do you have out there in the real world?

Scariest Dads of Horror

Merry & Frightful Holiday Horror: Spooky Movies to Watch Christmas Weekend

Happy Friday! Christmas Day is three days away and whether you’re done shopping or just getting started, you need some good movies to take your mind off the stress of the horrordays! You gotta hand it to Santa and Krampus, these two guys are quite decisive about that naughty and nice list. You’re on one or the other, but never both!
So, to celebrate Creepmas, and, in keeping with our Merry & Fright theme of traditional Christmas with spooky vibes, I compiled a list of holiday horror where we can cheer on the good guys and the bad guys who get chopped up into tiny pieces!

Nightmare Before Christmas
Gremlins
Krampus
Rare Exports: A Christmas Tale
Deadly Games
A Christmas Horror Story
Silent Night, Deadly Night
Black Christmas (1974 version)

Sinister Saturdays- Talk to Me, 2023

When a group of Australian friends become addicted to conjuring spirits using the embalmed hand of a satanic medium, they quickly learn the dangers of opening doors to the spirit world.

The movie starts out with a grieving Mia (Sophia Wilde), hot off her mom’s funeral, begging her BFF Jade (Alexandra Johnson) to go to a party, so they can experience some fun and excitement. She’s particularly close with Jade and Jade’s younger brother Riley (Joe Bird), even Jade’s mom, played by Miranda Otto (of LOTR and Sabrina fame) who is hip to the kids and their little white lies, but this struggling single mom is also a busy nurse who gets called back to hospital leaving the trio alone to go sneak off to the party.

It’s unclear at this point if Mia has had time to process her mom’s death but she’s obviously a muddled mess of emotions and prime target for what’s about to happen.

Each teen takes their turn, first, they’re strapped to a chair and tied down tight by the biggest member of their group (if that ain’t a red flag I dunno what is), next, they light a candle, grab hold of the embalmed hand and say one of two commands, “talk to me” or “I let you in”. What follows is 90 seconds of madness.

What should be a terrifying event (see every other horror movie ever made about conjuring the dead), these kids instead get a huge thrill out of being possessed. In some ways, the movie likens it to getting high. Spirits take control of the teens’ bodies and say the wildest shit. Some spirits are good, some spirits are bad, some spirits are horny and make out with the dog, and some spirits are recently deceased family members who have committed suicide for unknown reasons.

Mia instantly becomes obsessed with touching the hand, desperate to communicate with her dead mother again. Despite objections from Jade, and the other more hardened members of their friendship circle, Mia’s quest blinds her to the dangers so much that she drags young Riley with her to friend Hayley’s house for another go. This time, giving permission, that she doesn’t actually have, allowing Riley to partake in the fun, but playtime is over.

Mia’s weakened emotional state and the group’s bending of the rules, attract the attention of a demonic spirit and this one’s not letting go of Riley.

In Talk to Me, there is a clear separation between the living and the spirit world, but it matters not because these kids don’t pay attention to rules or respect the dead. This is horror movie version of fuck around and find out.

Mia’s life begins to quickly unravel, until she basically becomes a conduit for evil demons looking for a soul. Mia hallucinates and even allows spirits to possess Jade’s boyfriend, in what becomes just one of a very long line of frustrating scenes as we watch Mia’s choices go from bad to worse until the unthinkable happens.

My initial thoughts were Talk to Me wasn’t as scary as it could have been, but I began to appreciate the film after a second viewing and its contributions towards horror.

First, there’s the amazing and very realistic portrayl of Gen Z. As I stated before, these kids reveled in being possessed, rather than get scared. I dont know if it’s social media, bad parenting, or shitty education system, all of which seem to be a worldwide problem, but this generation is missing some serious critical thinking skills. The desire for instant thrills, gratification, and lack of self preservation to the point they’re messing with the dead is bonkers. Like any good A24 movie, I’m sure there was subtext and hints all over the movie that clued audiences into what was happening, but the performances are so spectacular that we can’t do anything but zero in on what’s happening to Mia, and then Riley.

Riley, oh my gosh, if there’s a victim of the year award in film, hands down it belongs to this character. Your heart will break, your skin will crawl, you’ll feel pain just by looking ar him. It’s horrific, and it’s one of the many reasons I’m highly recommending everyone spend $ to rent on Amazon Prime on Halloween night.

Thursday Terror – The Revenge of Frankenstein

Peter Cushing reprises his role as the brilliant Baron Doctor Victor Frankenstein in this sequel to The Curse of Frankenstein 1957.

Having escaped the guillotine with the help of a hunchback man named Karl, Baron Frankenstein escapes to Germany and assumes the name of Dr. Victor Stein, where he equally caters to the rich and helps the poor with their ailments at a local pauper’s hospital.

It’s been three years since this new Dr. Stein showed up, and the local medical council is miffed with him for refusing to join their stuffy board, so they dispatch three advocates to see what he’s up to. Among them, young scientific admirer Dr. Hans Kleve, who recognizes the Baron immediately and returns later to blackmail Stein, but he doesn’t want money, he wants to partner up!

Turns out, Dr. Stein’s new gig is a bit of ruse, since now he’s able identify patients who are about die or lose a limb, which helps him collect body parts for his experiments much more easily.

Dr. Stein shows Dr. Kleve his newst creation and relays plans to transplant a living brain into a healthy body. In fact, he’s already found a donor, his henchman Karl, who is more than willing to swap his decrepit body for a new one, especially after meeting Dr. Stein’s new assistant Margaret.

At first, the transplant is a success, but when Dr. Kleve tells Karl he’s a medical sensation, Karl panics, knowing that Dr. Stein’s previous experiment, transplanting the brain of an orangutan into a chimpanzee turned the poor creature into a cannibal.

Karl runs away after killing the lab’s vile janitor during a violent fight and hides out in the stables belonging to Margaret’s Aunt.

Unfortunately, Karl’s deformities eventually mysteriously return and Karl does indeed turn cannibal. After killing a few townspeople, Karl then heads to a party to kidnap Margaret but is caught. He screams out Frankenstein’s name and the whole town now knows Victor Stein is really the outlaw Baron Frankenstein!

Although not quite as scary as the first film, Terence Fisher directs another well-plotted out thriller with stellar performances from the cast all around. I ways loved how Fisher allowed Cushing not to portray Frankenstein as a madman but more an overzealous brilliant scientist. I recommend this one for the high production quality, the comedy of 1950s special effects, great performances, and the glorious melodrama like only a Hammer Horror film can provide!

Sinister Saturdays- The Boogeyman 2023

Based off the 1973 short story by Stephen King, I found this one on Hulu the other night. I hadn’t read the story before, so I thought maybe it would be a paranormal movie, but it kinda turned into a creature feature. For anyone new to the lore, a Boogeyman is predominantly North American mythos of a hellish creature that hides in closets, under the bed, or other dark creepy places and eats children who misbehave, or in this case, are just unlucky.

A recently widowed psychologist Will Harper (always solid Chris Messina) and his two daughters, teen Sadie (Yellowjackets star ingenue Sophie Thatcher) and young Sawyer (very talented Vivien Lyra Blair) are still reeling after the unexpected death of the mother, when the youngest girl suddenly finds stalked by the Boogeyman. It’s a little unclear how the creature came to find young Sawyer, maybe the family’s collective grief invited the Boogeyman into the home.

Or it could have been this sad welp below, who lost his family in the movie’s opening scene.

Lester Billings (played by my new favorite character actor David Dastmalchian) shows up in doc’s office, totally unannounced, without an appointment, and talking about the creature that comes for your kids when you’re not paying attention. Dark stuff and the doc Harper agees, there’s something off about this dude. For some creepy reason, while Harper is in the next room calling 911, Lester decides to check out the families’ closets and quickly finds out the Boogeyman eats adults too. Btw, the Boogeyman is also an extreme multi-tasker because it manages to haunt two families at the same time.

Now about that Boogeyman, filmmakers kept all the traditional tropes to make their monster feel familiar to audiences, hiding in the dark, afraid of light, mimicing voices, fast traveling like ghosts or a spirit, but, then, they also smartly added some new characteristics to unnerve and surprise filmgoers, moving away from a paranormal entity to a more corporeal physical creature.

It was ugly, had tentacle-like appendages walked on ceilings, moved in all directions, making it near impossible to outrun.

Monsters are not all powerful though. In fact, they have a lot of limitations, and Sadie and Sawyer turn out to be two smart cookies, who manage to defeat the Boogeyman, for now at least. People should probably still check under the bed and in the closet.

I found this PG-13 horror thriller to be a short enjoyable romp. The film relies on the creeponess of the dark, jump scares and the anxieties of a grieving family to scare audiences. Much like Lake Mungo, a film I reviewed earlier this month, grief is a powerful negative emotion that really opens you up to supernatural. Since there’s no gore, sex, and only mild use of drugs and bad language, The Boogeyman is probably good for families looking to introduce older kids into horror.

Thursday Terror – Dr. Jekyll and Sister Hyde

Hammer’s unique story mash up between Burke and Hare cases, legendary serial killer Jack the Ripper, and Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde is a mesmorizing gender-bender thriller.

Set in infamous Whitechapel at the height of Jack the Ripper’s murderous spree, Dr. Henry Jekyll (Ralph Bates) hell-bent on his quest for immortality, crosses moral barriers with his experiments.

At first, the young doctor pays a local mortician to acquire body parts of newly-deceased women who end up in the morgue, but when supplies run low, the doctor enlists the grisly services of two lowly gentleman, Burke and Hare, who indiscriminately kill unsuspecting victims and bring their dead bodies to Dr. Jekyll.

But Dr. Jekyll’s serum has unintended consequences, when it transforms his own body into the body of a beautiful woman, who he eventually names Mrs. Hyde (Martine Beswick). He tells his noisy neighbors, including his admirer Susan (Susan Brodrick), that the alluring woman now living with him is his recently widowed sister.

Between The Ripper and Burke and Hare, the city of Whitechapel is gripped by fear. Someone eventually finds out about deadly duo’s murderous deeds and they succomb to the town’s pitchfork. This leaves Dr. Jekyll at a disadvantage, just as he was making progress with his serum.

Sister Hyde quickly realizes her demise is tied to Dr. Jekyll’s  research, so she begins stalking the dark alleys of Whitechapel herself for young female victims to murder in the name of science.

Back in 1971, the idea of a man transforming into a woman was really taboo stuff. For some moviegoers, that in of itself was the horror. Despite the obvious misogynistic horror trope of making every other woman who appears on a screen a victim, this film really pioneered LGBTQ and woman empowerment themes.

Martine Beswick really stands out here with her cutthroat and sensual performance as Sister Hyde. She’s one spooky bitch, and probably deserves a little more attention in the pantheon of horror villains. If you’re new to Hammer Horror, definitely give this wickedly smart thriller a watch.

Sinister Saturdays- Gonjiam: Haunted Asylum Review

I found this South Korean ghost flick while strolling through Tubi the the other day. Korean horror cinema is known for its bleak and tragic outcomes and this one was right on point.

Inspired by a real CNN travel story that named Gonjiam one of seven freakiest places on Earth, Director Jung Bum-shik crafts a story of a web series film crew live streaming their visit to the abandoned South Korean asylum, in hopes to make big money, only to find it plagued with demonic forces.

The movie starts with a motley group answering an ad posted by Youtube owner Ha-joon for “Horror Times” to shoot a live-streamed event held at the long abandoned and haunted Gonjiam, the site where dozens of curious trespassers and self-proclaimed ghost hunters have disappeared from. Room 402 in particular is so haunted, no one can even open the door. The controversial mental hospital had closed after the death of its pioneer director, who mysteriously killed herself. Rumor was, the asylum was actually a place designed to torture and kill political prisoners.

Now, if there’s one thing I’ve learned from decades of watching paranormal films, is that ghosts don’t like liars and fakers, but what they hate most of all is being disrespected and underappreciated. Basically, all ghosts act like teenage girls.

Despite the natural setting of an abandoned hospital, the film crew’s captain, played by Wi Ha-joon from Squid Game fame, decides to trick audiences by setting up fake shots of “haunted activity”. Ugh! Ha-joon sets up camp a half mile down the road to control the broadcasts, all while directing his crew to film and go where he wants.

Well, dude, the spirits see your creepy doll and motion detector lights, and raise you wheelchairs that move on their own, ghastly ping pong balls, and changing wall messages from “let’s live” to “let’s die”.

As the exploring crew go deeper and deeper into the hospital, their experiences with the former residents increase enough to spook them out and they all try to flee. It doesnt take long for them to find out though, once you’re admitted to Gonjiam, there’s no escape.

Gonjiam is a mix of standard horror fare and hand-held camera footage, which provides the most scares. The formulaic film relies heavily on the dark atmosphere and jump scares, but honestly, there’s not enough of them to make this film stand out. That said, it’s not the worst way to spend the evening.

Thursday Terror – The Satanic Rites of Dracula

Part spy thriller, part goth horror, all parts 1970s grooviness, complete with sherpa vests, The Satanic Rites of Dracula takes place two years after Dracula, A.D. 1972. An undercover cop for Scotland Yard barely escapes the clutches of an evil mysterious cult in London.

In his dying last breaths, the agent recalls witnessing the horrifying bloody ritual sacrifice of a beautiful young naked woman, seen in secret photo evidence that he smuggled out of the compound.

With their colleague dead, Inspector Murray and Scotland Yard are at a loss for answers, so they call on Professor Van Helsing and his scholarly granddaughter Jessica to help decipher the satanic symbols and identify cult members.

While Inspector Murray, Jessica, and others go to the compound to dig around, Van Helsing reaches out to an old friend he recognized in the photos, with hopes of infiltrating the satanic cult made up of government officials hellbent on destroying the world and bringing back the Prince of Darkness.

Christopher Lee returns for his 7th and final performance as Count Dracula for Hammer Films. Also reprising their roles, Peter Cushing starring as Professor Lorrimer Van Helsing (a descendant of Dr. Abraham Van Helsing) and Michael Coles as Inspector Murray; and a young and absolutely fabulous Joanna Lumely shines brightly as Jessica Van Helsing, the woman Dracula hopes to make his new bride.

A heavily edited version of Satanic Rites of Dracula was redistributed in the U.S. in 1979 as Count Dracula and His Vampire Bride. You will find it streaming under that name on Plex, a free streaming service with an overwhelming ton of ads.