I wanted to pay a little tribute to the great horror icon Udo Kier, who passed away last month.
Udo Kier, the charming blue-eyed German actor with over 280 film credits across multiple countries, worked with every director under the sun, and starred in every type of genre movie you can think of, from arthouse cult classics to Marvel blockbusters. He was mostly a champion for small and independent foreign films, and a LGBTQ rights advocate.
Udo Kier and Jim Carrey from Ace Ventura Pet Detective 1994
Udo Kier made small movies and big movies. He loved making art. He was smart, funny, and understood the movie business. He understood sometimes you went in to make money, and only money, and sometimes you went in to make art, no matter what it cost.
Kier often played villains, weirdos or deviants, and his immense talent could elevate even the smallest roles. He once said “The villain is the character that people remember.” Udo Kier’s menacing villains will always be remembered by horror fans and filmgoers.
Severin Films has a great collection of enamel pins celebrating horror directors and horror stars of The Theatre Bizarre, a horror anthology from 2011, with wraparound segments featuring Udo Kier.
I think Blood of Dracula is one of Udo Kier’s best roles. This is autograph reprint is a great small gift for anyone who loves those old indie euro subculture films.
Blood for Dracula and Flesh for Frankenstein starring Udo Kier and Joe Dallesandro, directed by Paul Morrissey were arguably both actors’ most memorable films. Filmed in Italy, the films were repackaged and released in the US under Andy Warhol’s production company. This Italian box set looks amazing.
One of Udo Kier’s first roles was a supporting character in the infamous Hexen bis aufs Blut gequält a.k.a Mark of the Devil, a 1970 German knock-off of The Witchfinder General. This horror historical film was known for its realistic scenes of torture and violence towards women, and featured a marketing campaign that leaned in and promoted the film with the slogan “rated V for violence.” Theaters even handed out sick bags. It’s no wonder the filmed eventually got banned in England under the video nasty age and wasn’t publicly shown again until heavy cuts were made.
Udo Kier had a small but important role in Dario Argento’s 1977 classic Suspiria. As Dr. Mandel, Udo showed off his range. Yes, he was known for over-the-top villains, but he could tone it down when he needed to.
Brand New Blade Trilogy (Blu-ray, 2024) Exclusive Slipcover, Wesley Snipes, $26 (varies by eBay seller)
In Marvel comic book adaption of Blade starring Wesley Snipes and Stephen Dorff, Udo Kier had a small but fitting part playing Vampire Elder Dragonetti who butts heads with young rebel vampire Deacon Frost played by Dorff.
Udo Kier joined fellow scene chewers Willem Dafoe and John Malkovich for a spine-tingling movie about the filming of Nosferatu in 2000 Shadow of the Vampire.
Udo Kier and John Malkovich Shadow of the Vampire, 2000
Obviously, with 280 films, there’s no way I can post suggestions to all of Udo Kier’s movies, but he has starred in some pretty iconic films that would make cult-film lovers and horror fans mighty proud to have on their shelf. He worked with Lars von Trier and Gus Van Sant a lot, so be sure to check out all those titles.
Buyer Beware Warning: Be sure to check specs before purchasing any movie DVDs, as some of these are in PAL format and won’t play in the USA. You can find almost anything on Amazon, but I suggest shopping small and independent this holiday season.
Whether you’re joining the shopping boycott on Black Friday to send a message to oligarchs or just need to recharge and rest, Thanksgiving weekend is the perfect time for binging spooky TV shows. Here are ten of my favorites.
Castle Rock (Hulu)
The fictional town in Maine that serves as the terrifying locale for most of the stories in the Stephen King universe gets its own supernatural show produced by JJ Abrams’ Bad Robot. True to any Stephen King novel, it’s a dark, mysterious, creepy mind-bender, filled with compelling characters. Sadly, it only got two seasons. A real shame cuz I had so many questions…
The Strain (Hulu)
Back when the CDC were the good guys, the show about a doctor investigating a viral outbreak with ties to an ancient strain of the vampirism was created by Guillermo del Toro and Chuck Hogan based on their vampire trilogy. Hollywood superstar showrunner Carlton Cuse of Lost fame wrangled this thrilling action horror for four seasons on FX.
Chilling Adventures of Sabrina (Netflix)
Witches, warlock, humans, hobgoblins, old deities, and Satan, this ain’t your grandmama’s Sabrina. Forget the 90s WB sitcom, this is a much darker, scarier, and sexier show for Archie Comics breakout star.
Ash vs Evil Dead (Starz)
Evil Dead trilogy fans rejoiced when Sam Raimi and Bruce Campbell brought their chainsaw-wielding hero and the Deadites to television for Starz in this action horror-comedy that squeaked out 3 seasons. It’s been 30 years since Ash left the Army of the Dead behind, working at Value Mart with his young friends Pablo and Kelly, drinking his lonely existence into oblivion and ignoring his responsibilities to protect the world until the evil dead come calling for the one that got away.
Stranger Things (Netflix)
Coming-of-age show about a group of friends investigating the disappearance of their friend and the supernatural acts happening in their small town of Hawkins, Indiana is Netflix’s most popular show. Season 5 premieres on November 26, so binging the first four seasons now is perfect timing.
The Haunting of Hill House (Netflix)
Mike Flanagan’s chilling first entry in the Haunting series for NetFlix was loosely based on Shirley Jackson’s 1959 novel of the same name. Part ghost story, part family drama, horror maestro Stephen King hailed Flanagan’s vision of Jackson’s story as brilliant. I guess that’s why King keeps agreeing to let the guy direct movies of his own novels.
Brand New Cherry Flavor (Netflix)
A mind binding thriller set in the 90s about young female filmmaker in Hollywood, whose career gets derailed after mixing it up with a catty bohemian witch. This limited series wasn’t supposed to go beyond 8 episodes, but fans can still dream.
Marianne (Netflix)
This smartly written and wonderfully acted French horror show created by Samuel Bodin about a writer haunted by an ancient evil witch only got one season, but that’s probably for the best, cuz it’s the scariest show on the list. It’s better to watch in French with English subtitles. Your eyes will be glued to the screen anyways.
Kingdom (Netflix)
Not quite Game of Thrones or The Walking Dead, this Korean gem is filled with colorful characters, political intrigue, and hordes of zombies. Based on a webtoon series The Kingdom of the Gods created by Kim Eun-hee and Yang Kyung-il, this Josean period action thriller was never officially canceled, so fans are still hoping for Season 3, despite the many years that have passed.
The Walking Dead (AMC)
I once read in a Hollywood rag, that studio execs believed no one wanted to watch a zombie TV show and it would be far too expensive to produce. 15 years and 8 spin off shows later, Robert Kirkman’s The Walking Dead franchise is still churning in some form, while knock off shows have come and gone. I believe it’s all due to the genius of Greg Nicotero and his special effects and make-up team. It’s the first, and the best zombie TV show ever produced, period. And, it totally proved the world loves zombies enough to watch them every week!
As we say goodbye to Spooky September to usher in the haunted Halloween season, I thought I’d share my picks for some of the scariest scenes in some classic horror movies.
Horror is perhaps the most subjective genre of all films, because what’s scary for one person, may not be scary to another. Yet, there seems to be some type of collective conscience of fear that most of us tap into when we see a scary moment on film.
Art by Nathan Thomas Milliner
It’s that one scene that chills us to the bone, or makes us throw the blanket over our head, or creates a tiny wave of spiders that crawl over our skin. Sometimes it’s a jump scare and sometimes it’s 4 minutes of terror that turns our spines into butter.
Rec, 2007 (Spanish version) – End Scene
One of the best found-footage films to come out of the early 2000s, that spawned three sequels, this Spanish-language horror classic thrusts audiences into the dark and forces them to experience the frantic terror of a surviving film crew locked in an apartment building filled with zombies. There was an English remake called Quarantine in 2008, nearly identical to the original, scene for scene, as seen in the video below. The movie uses a shaky handheld camera to build tension and thr jump scares to terrorized movie goers, but perhaps the biggest scare ended up as the last shot of the movie.
Session 9, 2001 – Hello, Simon
A critical failure when first released, Session 9 is horror’s most underrated gem and now has a huge cult following. This slow-burn psychological horror is the story of an asbestos removal crew assigned to clean up the abandoned Danvers State Mental Hospital in less than a week. When one of the crew members Mike finds a box of session tapes belonging to a former patient named Mary, who suffers from dissociative identity disease, the terrifying truth of what happened to her one fateful night plays out as we slowly watch another member of the crew, Gordon, lose his grip on reality. By the end of the movie, we meet what we believe may be one of Mary’s most dangerous personalities, Simon, during session 9, the movie’s most chilling recording.
Taking of Deborah Logan, 2014 – Cave scene
Another found footage supernatural horror gem that plays out like a pseudo-documentary, follows the sad decline of a woman named Deborah Logan, suffering from Alzheimer’s disease. At first, we feel sorry for the woman and her family, watching Deborah’s bone-chilling antics through the eyes of a camera lens, but soon we come to understand that a sinister being may actually be behind what’s taking hold of Deborah’s mind. It’s always scary whenever a movie uses real-life illnesses like Alzheimer’s or Cancer as a plot point, but no one was ready for that crazy cave scene.
Paranormal Activity, 2009 – The Bite
Smart marketing and strong word of mouth spun the little unknown film from first-time director Oren Peli into a popular supernatural franchise. The first film initially cost only $15,000 to make and went on to gross $194 million dollars. Part of the successful marketing campaign showed trailers with audience reactions to the movie about a young couple Katie and Micah, who moved into a suburban tract home inhabited by a demonic spirit. Filmed with shaky cam, there were numerous jump scares and long intense shots seen through security camera style footage, which showed the couple’s sleepless nights. The scariest moment was watching Katie get pulled out of her own bed and brutally dragged down the dark hallway on day 20 of their terrifying ordeal.
Conjuring, 2013 – Wanna play Hide and Clap?
Based on the untold files of real-life paranormal investigators Ed and Lorraine Warren. In 1971, the Warrens followed up their case about a possessed doll named Annabelle, by helping the Perron family, who claimed their newly purchased Rhode Island farmhouse was haunted by a malevolent spirit. Lorraine learns that spirit is named Bathesheba, a local witch and Satanist from Puritan times who cursed the land. Back before the days of cable and internet, the Perron parents entertained their five daughters with a variation of Hide and Seek, where the hiders clap their hands to clue in the blindfolded seeker of their location. Apparently, ghosts like to play games too.
Sinister – Lawnmower Scene
Crowned the scariest film ever made by Broadband Choices in 2020, based on the analysis of viewer heart rates, Sinister follows a true crime writer Ellison Oswalt played by Ethan Hawk, as he moves his family to Pennsylvania, chasing inspiration for a new story that will bestow the same accolades and riches he gained for his first book. The new house is actually the sight of a gruesome murder that Oswalt has decided to write about. Oswalt finds a projector in the eerie attic and a box filled with old Super8 tapes spanning decades, all inconspicuously titled home movies, and all depicting a frightening juxtapose of several families enjoying their normal lives, followed by their grisly murders. The scariest is ‘Lawn Work ’86’, where viewers join the silent creepiness of the voyeuristic killer eyeing his next victims, that eventually cumulates into a giant jump scare involving a lawnmower. It’s a scene that’ll make anyone’s heart rate go up.
Alien, 1979 – Chestburster
In last month’s blog post about Best Deaths in the Alien Movies, I picked the chestburster scene in Alien as best death scene in the whole franchise, but it’s also the scariest. It’s a shocking, gruesome, bloody death scene that not only changed the tone of the film, but the entire genre, securing Alien as the greatest SciFi Horror film ever made. The scene often parodied and duplicated by its own sequels, it’s probably the greatest jump scare of all time too.
Jaws, 1975 – Opening Scene
Considered the first summer blockbuster ever, one of Steven Spielberg’s turned Peter Benchley’s commissioned best-selling novel into a sleek thriller about the seaside town of Amity Island terrorized by a man-eating shark over the July 4th weekend. The movie follows police chief Brody as he, a young marine biologist, and a colorful professional shark hunter track down the beast. Jaws is a study of fear and it all starts with the movie’s opening scene of a girl swimming naked in the ocean. This classic opener sets the tone of the movie and eventually becomes the catalyst of a fear of open water for millions of people worldwide.
The Shining, 1980 – Room 237
I had a hard time picking the scariest scene from Stanley Kubrick’s adaptation of Stephen King’s best-selling horror novel, The Shining. The movie follows a writer Jack Torrance, who moves his wife Wendy and their son Danny to Colorado for the winter to become the caretaker of a magnificent haunted hotel. Between the ghosts and the cabin fever, this not so loving family slowly begins to unravel, espcially for young Danny who has the gift of telepathy, aka the Shine, which brings out the hotel’s former guests who never got a chance to properly checkout. There’s no jump scares, only a constant state of dread and mounting tension, accentuated by the unforgettable score. Nearly every scene is nightmare inducing, but if I have to pick the scariest, it’s gotta be Jack’s visit to the notorious Room 237.
The Exorcist, 1973 – Headturner
Deemed by many as the greatest supernatural horror film of all time, William Friedkin’s adaption of William Peter Blatty’s The Exorcist, a story about an actress Christine MacNeil trying to save her young daughter Regan from demonic possession. Considered disturbing, shocking, and utterly vile by some viewers, the movie had people fainting and vomiting in the theaters. There was no doubt the movie was a cinematic masterpiece, as it won several Oscars, influenced pop culture, spawned sequels, influenced a new subgenre horror about demonic possession, and became the highest-grossing R-rated horror film until It in 2017, grossing a whopping $193 million with its theatrical run, a miracle considering how plagued the production was. The Exorcist went over budget and suffered several delays, including several crew deaths, leading to rumors that the film was actually cursed.
The infamous headturn scene, which has been parodied a thousand times over, is like nothing you’ve ever seen or heard. For all the foul-mouthed obscenities that are so commonplace nowadays, there’s just something morally reprehensible about the dialogue of this scene, the brutal violence shown, and the emotional agony from Christine trying to rescue Regan from a crafty demon. I’m not a particularly religious person, but it’s understandable why some people hate this film. My mother once said movies like this invite real evil into our world. I’m not sure if that’s true, but if it were, this is the movie that opened the floodgates.
You can find the Exorcist screaming on Max and AMC will air an edited version at 8:15 PT on Wednesday, October 2nd.
It’s been a while since I’ve had a chance to post about any horror movies. Seeing as it’s Father’s Day and people might be relaxing at Grandpa’s house, I thought I’d make a Scariest Dads of Horror list, in case you were worried your family was a buncha weirdos.
The guys on this list range from deranged psychotic killers to demonically possessed deranged killers. All of them have killed somebody, or several bodies, but those who try to kill their own family especially take the cake, cuz if Daddy wants to kill you, what chance do you have out there in the real world?
Title: Talk to Me Director: Danny and Michael Philippou Starring: Sophia Wilde, Marcus Johnson, Alexandra Johnson, Joe Bird and Miranda Otto Distributed by: A24 Running Time: 1hr 35min
When a group of Australian friends become addicted to conjuring spirits using the embalmed hand of a satanic medium, they quickly learn the dangers of opening doors to the spirit world.
The movie starts out with a grieving Mia (Sophia Wilde), hot off her mom’s funeral, begging her BFF Jade (Alexandra Johnson) to go to a party, so they can experience some fun and excitement. She’s particularly close with Jade and Jade’s younger brother Riley (Joe Bird), even Jade’s mom, played by Miranda Otto (of LOTR and Sabrina fame) who is hip to the kids and their little white lies, but this struggling single mom is also a busy nurse who gets called back to hospital leaving the trio alone to go sneak off to the party.
It’s unclear at this point if Mia has had time to process her mom’s death but she’s obviously a muddled mess of emotions and prime target for what’s about to happen.
Each teen takes their turn, first, they’re strapped to a chair and tied down tight by the biggest member of their group (if that ain’t a red flag I dunno what is), next, they light a candle, grab hold of the embalmed hand and say one of two commands, “talk to me” or “I let you in”. What follows is 90 seconds of madness.
What should be a terrifying event (see every other horror movie ever made about conjuring the dead), these kids instead get a huge thrill out of being possessed. In some ways, the movie likens it to getting high. Spirits take control of the teens’ bodies and say the wildest shit. Some spirits are good, some spirits are bad, some spirits are horny and make out with the dog, and some spirits are recently deceased family members who have committed suicide for unknown reasons.
Mia instantly becomes obsessed with touching the hand, desperate to communicate with her dead mother again. Despite objections from Jade, and the other more hardened members of their friendship circle, Mia’s quest blinds her to the dangers so much that she drags young Riley with her to friend Hayley’s house for another go. This time, giving permission, that she doesn’t actually have, allowing Riley to partake in the fun, but playtime is over.
Mia’s weakened emotional state and the group’s bending of the rules, attract the attention of a demonic spirit and this one’s not letting go of Riley.
In Talk to Me, there is a clear separation between the living and the spirit world, but it matters not because these kids don’t pay attention to rules or respect the dead. This is horror movie version of fuck around and find out.
Mia’s life begins to quickly unravel, until she basically becomes a conduit for evil demons looking for a soul. Mia hallucinates and even allows spirits to possess Jade’s boyfriend, in what becomes just one of a very long line of frustrating scenes as we watch Mia’s choices go from bad to worse until the unthinkable happens.
My initial thoughts were Talk to Me wasn’t as scary as it could have been, but I began to appreciate the film after a second viewing and its contributions towards horror.
First, there’s the amazing and very realistic portrayl of Gen Z. As I stated before, these kids reveled in being possessed, rather than get scared. I dont know if it’s social media, bad parenting, or shitty education system, all of which seem to be a worldwide problem, but this generation is missing some serious critical thinking skills. The desire for instant thrills, gratification, and lack of self preservation to the point they’re messing with the dead is bonkers. Like any good A24 movie, I’m sure there was subtext and hints all over the movie that clued audiences into what was happening, but the performances are so spectacular that we can’t do anything but zero in on what’s happening to Mia, and then Riley.
Riley, oh my gosh, if there’s a victim of the year award in film, hands down it belongs to this character. Your heart will break, your skin will crawl, you’ll feel pain just by looking ar him. It’s horrific, and it’s one of the many reasons I’m highly recommending everyone spend $ to rent on Amazon Prime on Halloween night.
Scariest scenes: Any scene involving the possessed Riley in the hospital and his torture scene.
Title: The Boogeyman Director: Rob Savage Starring: Chris Messina, Sophie Thatcher, Vivien Lyra Blair Distributed by: 20th Century Studios Running Time: 1hr 38m
Based off the 1973 short story by Stephen King, I found this one on Hulu the other night. I hadn’t read the story before, so I thought maybe it would be a paranormal movie, but it kinda turned into a creature feature. For anyone new to the lore, a Boogeyman is predominantly North American mythos of a hellish creature that hides in closets, under the bed, or other dark creepy places and eats children who misbehave, or in this case, are just unlucky.
A recently widowed psychologist Will Harper (always solid Chris Messina) and his two daughters, teen Sadie (Yellowjackets star ingenue Sophie Thatcher) and young Sawyer (very talented Vivien Lyra Blair) are still reeling after the unexpected death of the mother, when the youngest girl suddenly finds stalked by the Boogeyman. It’s a little unclear how the creature came to find young Sawyer, maybe the family’s collective grief invited the Boogeyman into the home.
Or it could have been this sad welp below, who lost his family in the movie’s opening scene.
Lester Billings (played by my new favorite character actor David Dastmalchian) shows up in doc’s office, totally unannounced, without an appointment, and talking about the creature that comes for your kids when you’re not paying attention. Dark stuff and the doc Harper agees, there’s something off about this dude. For some creepy reason, while Harper is in the next room calling 911, Lester decides to check out the families’ closets and quickly finds out the Boogeyman eats adults too. Btw, the Boogeyman is also an extreme multi-tasker because it manages to haunt two families at the same time.
Now about that Boogeyman, filmmakers kept all the traditional tropes to make their monster feel familiar to audiences, hiding in the dark, afraid of light, mimicing voices, fast traveling like ghosts or a spirit, but, then, they also smartly added some new characteristics to unnerve and surprise filmgoers, moving away from a paranormal entity to a more corporeal physical creature.
It was ugly, had tentacle-like appendages walked on ceilings, moved in all directions, making it near impossible to outrun.
Monsters are not all powerful though. In fact, they have a lot of limitations, and Sadie and Sawyer turn out to be two smart cookies, who manage to defeat the Boogeyman, for now at least. People should probably still check under the bed and in the closet.
I found this PG-13 horror thriller to be a short enjoyable romp. The film relies on the creeponess of the dark, jump scares and the anxieties of a grieving family to scare audiences. Much like Lake Mungo, a film I reviewed earlier this month, grief is a powerful negative emotion that really opens you up to supernatural. Since there’s no gore, sex, and only mild use of drugs and bad language, The Boogeyman is probably good for families looking to introduce older kids into horror.
Scariest scenes: When young Sawyer rolls her lamp ball under the bed to reveal the Boogeyman for the first time and another jump scare moment when the Boogeyman suddenly appears and grabs Sadie.
Title: Gonjiam: Haunted Asylum Director: Jung Bum-shik Starring: Wi Ha-joon, Park Sung-hoon, Ji-Hyun Park Distributed by: Showbox Running Time: 1 hour 35 minutes
I found this South Korean ghost flick while strolling through Tubi the the other day. Korean horror cinema is known for its bleak and tragic outcomes and this one was right on point.
Inspired by a real CNN travel story that named Gonjiam one of seven freakiest places on Earth, Director Jung Bum-shik crafts a story of a web series film crew live streaming their visit to the abandoned South Korean asylum, in hopes to make big money, only to find it plagued with demonic forces.
The movie starts with a motley group answering an ad posted by Youtube owner Ha-joon for “Horror Times” to shoot a live-streamed event held at the long abandoned and haunted Gonjiam, the site where dozens of curious trespassers and self-proclaimed ghost hunters have disappeared from. Room 402 in particular is so haunted, no one can even open the door. The controversial mental hospital had closed after the death of its pioneer director, who mysteriously killed herself. Rumor was, the asylum was actually a place designed to torture and kill political prisoners.
Now, if there’s one thing I’ve learned from decades of watching paranormal films, is that ghosts don’t like liars and fakers, but what they hate most of all is being disrespected and underappreciated. Basically, all ghosts act like teenage girls.
Despite the natural setting of an abandoned hospital, the film crew’s captain, played by Wi Ha-joon from Squid Game fame, decides to trick audiences by setting up fake shots of “haunted activity”. Ugh! Ha-joon sets up camp a half mile down the road to control the broadcasts, all while directing his crew to film and go where he wants.
Well, dude, the spirits see your creepy doll and motion detector lights, and raise you wheelchairs that move on their own, ghastly ping pong balls, and changing wall messages from “let’s live” to “let’s die”.
As the exploring crew go deeper and deeper into the hospital, their experiences with the former residents increase enough to spook them out and they all try to flee. It doesnt take long for them to find out though, once you’re admitted to Gonjiam, there’s no escape.
Gonjiam is a mix of standard horror fare and hand-held camera footage, which provides the most scares. The formulaic film relies heavily on the dark atmosphere and jump scares, but honestly, there’s not enough of them to make this film stand out. That said, it’s not the worst way to spend the evening.
Scariest scene: Crew member Charlotte finds herself locked in Room 402 with a ghost of a naked man.
Title: Lake Mungo Director: Joel Anderson Starring: Rosie Traynor, Talia Zucker, David Pledger, Martin Sharper Distributed by: Arclight Films Running Time: 88 minutes
Since its release in 2008, the psychological thriller Lake Mungo consistently shows up in peoples’ top scary movies you’ve never seen lists. This was originally a movie that I skipped back in the day because it was a found footage horror like mega-hits The Blair Witch, 1999, or Paranormal Activity, 2007. Although hugely popular, I thought slow-burn, hand-held shaky cam stylized horror films had oversaturated the market in the 2000s and I grew tired of them. The only found footage gem to come from that era was the 2007 Spanish zombie film Rec.
Instead of in-your-face jump scares, slow-burn horror movies move at a snail’s pace and build up all the tension up front, usually for an hour and a half, all for one big giant scary payoff at the end. It’s a film technique that flat-out doesn’t work for some horror fans, particularly any with attention deficit disorders. After finding Lake Mungo on good ole Tubi, I decided to give it a try. After getting over my usual gripes about slow-burn, found-footage films, I began to appreciate Lake Mungo for what the film was really selling, death and existential dread.
The movie starts with a typical Australian middle-class family living in Victoria suburbia of Ararat, explaining through documentary-style interviews and shared family and police photos and videos, how the recent mysterious loss of their teenage daughter Alice has devastated their family.
Watching a family grieve is never fun. Audiences are immediately thrust into one family’s nightmare scenario and it’s here where the excellent casting becomes one of the most brilliant things about Lake Mungo. Thanks to these strong unassuming low-key performances, the beginning is utterly depressing. It feels like you’re watching a documentary about a real family mourning their daughter, sister, and friend, a beautiful, cheerful girl living what we think is the perfect life. The painful agony of tragically losing a loved one hits hard, yet, boredom might set in for anyone who hasn’t experienced any such loss.
Eventually, evil starts to seep into the family’s photographs and found footage as the movie progresses. Through police photos, we learn what Alice’s father Russell saw when he identified Alice’s body but Alice’s mother June couldn’t bring herself to look, which leads to her not finding closure. Later, a particularly agonizing stunt pulled by her grieving son Matthew, who is also dealing with his sister’s death in a different way, prompts June to begin questioning whether her daughter is actually dead.
In her quest, June meets a psychic Ray who may hold the key to understanding Alice’s untimely demise. June and the family uncover truths about Alice’s double life and clues leading them back to the source of evil at Lake Mungo.
In his feature-length writing and directorial debut, Joel Anderson makes all the smart choices in mixing documentary-style interviewing, showing photographs, and found footage video to tell his story. While some shots are repeated, and there are a few red herrings, no scene is wasted. You’re constantly fed new information and you’ll start scouring the screen looking for ghosts or signs of the paranormal. The tension towards the end is agony because you know something is not right, but you’re not sure what it is. Be sure to watch through the credits as the extra photos confirm paranormal evidence.
Scariest scene: Near the end, the big reveal of what Alice saw at Lake Mungo. It’s a subtle scare, one that takes a while for you to get creeped out.
Halloween Horror Haiku 
You must be logged in to post a comment.