As July ends, so does our tribute to the red, white, and ghoul. Many of us wonder what we’d do in an apocalypse. How long would we survive? Would we lose our humanity or becomes the heroes we crave to be? Truth is, we’re already creating a nightmare dystopian society, casting aside freedoms and replacing them with fearmongering, discrimination, intolerance, and violence.
Back in 1968, George A. Romero foresaw this great nation descending into chaos as gun culture and extremist ideals gained more popularity because of easy access to guns and lack of education. He saw a nation at war with itself long before the monsters showed up. His movies often contained scathing critiques of class warfare, over-militarization, moral corruption, and empty consumerism, all of which Americans still suffer greatly today.
Dawn of the Dead, 1978
Romero may have been psychic, as he didn’t think adding zombies would really change the American landscape all that much and I tend to agree. If we continue down this treacherous path, we won’t have much further to fall. The day Americans unite may very well be the day they drop the bomb.
George A. Romero
There’s one thing for certain though, you can count on the fight in America. Even the quietest, most gunshy American has a sense of revolution instilled in their soul. Communists, terrorists, extremists, zombies, we’ll fight them all! We’ll never lose that pursuit of life, liberty, and happiness. It’s truly the American way.
Zombieland, 2009
With that in mind, here are my picks of the best ten American zombie films, showing the world our American fighting spirit!
Happy July! Summer is in full swing and Halloween countdown is on. Code orange alerts (fan notifications of retailers displaying seasonal products) are already being reported. America will soon be celebrating its 247 birthday and there’s nothing more American than the zombie film.
Chicago born director, Victor Halperin introduced audiences to the Haitian mythos of zombies when White Zombie opened in 1932, and in 1968, New York filmmaker George A Romero changed the Hollywood landscape forever with his first horror film, Night of the Living Dead. Yes, indeed, the zombies as American as Apple pie, which is why the theme this month is Red, White, and Ghoul. All haiku in July will connect to tell the story of a good ole fashioned American zombie apocalypse.
toxic egg salad small town picnic gone awry red, white, and ghoul
In celebration of the halfway point to Halloween, I’ve decided to share a list of my favorite horror anthologies that are perfect to watch on Halloween night.
Most of these movies are pretty gory and violent, so make sure the kids are in bed or definitely preoccupied with their candy haul in another room. The 70s are long gone and responsible parenting is in, so, don’t scar your kids for life with things they can’t unsee. Although, the worst that could happen is they turn into lifelong horror fans like us.
*****
Trick-‘r-Treat, 2007 – Directed by Michael Dougherty. With his directorial debut, Dougherty gave the world the terrifyingly cute Halloween mascot Sam, a trick-r-treating demon with a simple list of rules that must be followed on Halloween night. This cult-favorite film never saw a theatrical release because Warner Bros. supposedly didn’t know how to market the film. I think it was mostly due to the violence of and to the children in the film’s stories. Whatever the case, this is as perfect as an anthology film can get. Great acting, great storytelling, art direction, costumes, and cinematography are all on point, and then, there’s the birth of a Halloween icon, Sam. Films that spawn multi-dollar merchandising opportunities are pretty rare, but the fact that it all grew into a worldwide fan favorite without fancy marketing and a normal production release, absolute kismet! Earlier this year, rumors spread that a bonafide sequel was in the works, but there have been no other details. Fingers crossed that Dougherty’s magic casts a second spell over the horror lovers.
The Mortuary Collection, 2019 – Directed and written by Ryan Spindell. Shudder produced this slick original anthology with a framing story more interesting than the shorts. As a big fan of Clancy Brown, I was delighted to see him starring as the eccentric mortician in the small town of Raven’s End. When a young woman answers the “Help Wanted” sign, the mortician decides to test her resolve and recounts several macabre stories of death cases he’s encountered over the years, but, as it turns out, this secretive new employee has a tale of her own to tell. The acting, score, and production quality here are all top-notch and the short stories are pretty much classic horror, with one freshly woke tale guaranteed to make men squeamish.
Creepshow, 1982 – Directed by George A Romero. In this early 80s horror-comedy, legendary horror icons, Romero and Stephen King, who wrote three stories specifically for the movie, collaborate together for the first time. The good friends really knew how to speak each other’s language and produced a classic campy fun spooky anthology of five stories which really helped make horror anthologies appreciated in the same vein as horror films. Despite the Creep feeling awfully familiar to the Cryptkeeper of Tales of the Crypt fame, the Creepshow Magazine framing story is a solid tale of an abused boy named Billy, who just wants to enjoy his comics, but his father decides to throw his beloved magazine out instead. Creepshow was a perfectly executed anthology series, starring a lot of well-known Hollywood celebrities of 1980s respectively. With special effects and monster creations done by longtime Romero friend and collaborator Tom Savini, the film paid homage to old 1950s horror and sci-fi comics and movies. My favorite short, They’re Creeping up on You, starred EG Marshall, as a bigoted, racist germ-freak tycoon who gets his comeuppance in a creepy way.
Creepshow 2, 1987 – Directed by Michael Gornick. After George A. Romero wrote the screenplay for Creepshow 2, he stepped aside to allow the cinematographer of the first Creepshow movie, to wear the director cap, in this second film collaboration with Stephen King. Even with only three stories, this quintessential 80s horror outshines its predecessor and features fine performances from more Hollywood legends, like George Kennedy and Dorothy Lamour, and Tom Savini, who played the storytelling Creep and helped again with special effects. The stories are Stephen King’s classic tall tales come to life, with The Raft and The Hitchhiker being the best of three but I really did enjoy the outlining story involving the same bullied comic-reading hero Billy from the first film. Much like the first film, Creepshow 2 simply reminds us of why some of us fell in love with horror in the first place.
All Hallow’s Eve, 2013 – Directed and written by Damien Leone. What an introduction to the brutal sadistic horror villain Art the Clown. In his first feature-length film, Art terrorizes a babysitter on Halloween night, when she finds an old VHS tape containing three horrifying stories. One of the creepiest things about Art the Clown and why he’s become such a popular horror villain, is we just don’t know why he’s doing all this. It harkens back to the early days of Halloween’s Michael Myers, before the armchair psychologists showed up and ruined him. The boogeyman doesn’t need a reason.
V/H/S/94, 2021 – Directed by various directors. Does anyone even know or remember what VHS tapes are? All the Shudder’s V/H/S movies are great, but in ’94, I really enjoyed all the shorts and the framing story about a group of swat officers who raid the compound of a cult only to discover body parts and disturbing videotapes playing in each room. The Subject directed by Timo Tjahjanto was my favorite. What a gruesome action-packed delight. This is a perfectly cast and executed production of cyborg horror with a fantastic story and a hero which I hope we haven’t seen the last of. (I’m still waiting for cyberpunk horror genre to take off, now that we have the technology.) Fingers crossed someone gives Timo some money and lets him make a sequel or prequel.
Black Sabbath, (I tre volti della paura, ‘The Three Faces of Fear), 1963 – Directed by Mario Bava. The legendary Italian horror maestro teams up with horror icon Boris Karloff to tell three terrifying tales. This is mostly a thriller, light on actual scares, except for the last story, A Drop of Water. Now this is a horror classic that will haunt you. Bava stole from the best to bring these creepy tales to life and has found a cult following since its initial release, which was considered a bomb. I guess Kaloff’s star was fading by then. Thank the horror gods for DTV and streaming.
Tales of Halloween, 2015 – Directed by various directors. This Netflix production of ten separate horror stories, all taking place on Halloween night, is a lot fun and a great film to put on in the background of your Halloween party. After a long animation montage of the short’s titles and credits, we jump right into the action. There’s no framing story, just horror legend Adrienne Barbeau lending her smooth voice as a local DJ to set the mood for the evening. While not as scary as some other anthologies on this list, the Halloween vibe is strong and some shorts are really amusing and filled with dark humor. My favorite story was Friday the 31st which I found quite humorous and a real treat for those who like twists.
*****
There’s no real order to this list. I think every anthology series has merit and should be seen by horror fans. I can’t guarantee every story will tickle your fancy, but enough of them will. If you’re looking to have a spooky good time on Halloween night after the trick-or-treating is done, these are timeless horror classics that get the job done.
Unlike most Halloween fans, I do not get immediately sad after Halloween because there’s still so much spookiness going on to carry us through Thanksgiving, through the holidays, all the way into next year. What a fabulous time to be a horror fan because there are some incredible apparel, collectibles, products, and amazing box sets of the greatest films in history out there, and, for the next 5 weekends, I’m going to post my gift-giving guides for your favorite Halloween and Horror fans.
The Bela Lugosi Collection at CreepyCo. ($10-70) https://www.creepycompany.com/collections/bela-lugosi Lugosi Enterprises is dedicated to preserving the memory and legacy of the man forever associated as Count Dracula. They’ve been quite savvy, selective, and tenacious about their licensing agreements in recent years and that’s more apparent than ever with their deal at Creepy Co. This holiday, you can find some awesome apparel, including button-up shirts, t-shirts, PJs, socks, enamel pins, and much more.
Custom designed Bedding and Bathwares – There will be Cute at Society 6 ($17-$120) https://society6.com/therewillbecute Artist and illustrator Caley Hicks brings her world-class spooky cute to Society 6 with these Halloween baths and bedding sets. Normally, I’d include Caley’s works in an upcoming Artist gift-giving guide, but I’m in love with the idea of having a Headless Horseman decorated bathroom.
Magnetic Poetry – Edgar Allan Poet Kit ($12.95) https://magneticpoetry.com/collections/themed-kits/products/edgar-allan-poet Is your horror fan a haunting, witty wordsmith with a gothic heart? Well, here’s their chance to shine with this unique and fun way to create original refrigerator poetry, inspired by the Master of the Macabre, Edgar Allan Poe.
Dead Sled Coffee ($18-$20) https://deadsledcoffee.com/ Why we don’t have coffee bars filled with coffee, horror, and heavy metal music on every corner is beyond me. For the people who don’t care where their coffee comes from, or, at the very least, trust that their favorite musicians and horror icons have lawyers and management that have already scoured Dead Sled’s ethics and ability to produce good-tasting environmentally friendly coffee.
Godzilla Jenga/Godzilla Monopoly ($22-40) https://toywiz.com/godzilla/diecast-microman-miscellaneous-toys-figures/ I don’t talk about Godzilla enough. He is the King of the Monsters after all, which is why I got so excited when I found a Godzilla version of Jenga and Monopoly from USAopoly. Why play Jenga when you can play Godzilla Jenga! Finally, a reason to be excited for family board game night. Just don’t let Grandma play as King Ghidorah.
100 Horror Movie Scratch-off Chart ($25) https://popchart.co/products/100-horror-movies-scratch-off-chart Whether you’re watching for the first time or revisiting old favorites, this is a cool way to keep track of the which classic horror films you’ve watched.
Elvira Meets Vincent Price Comics (($1.99 and up) https://www.comixology.com/Elvira-Meets-Vincent-Price-1/digital-comic/943748 Dynamite Entertainment brings the Mistress of the Dark together with the Merchant of Menace to save the world from Apocalyptic doom! In a madcap mix of comedy and horror, the Hollywood star spector and horror hostess with the mostess pair go together like peanut butter and jelly. Digital subscriptions start at $1.99, regular comics are $5, but special limited edition variant covers are for collectors only.
Frankenstein Complete Legacy Collection ($26-47) https://www.uphe.com/movies/frankenstein-complete-legacy-collection If for some reason the giant 30 film collection of the Universal Monsters Legacy Collection isn’t your jam, then consider getting The Frankenstein Complete Legacy Collection, which, in my opinion, contains all the best films of the Universal Monsters collection. including Abbott and Costello Meet Frankenstein.
Horror Movie Figure Collectibles from NECA ($39-70) https://necaonline.com/2020/12/12-days-of-downloads-2020-day-9-ultimates-visual-guide/ Start a yearly tradition of giving the gift of a horror movie 7″ scale action figure with accessories, officially licensed, made with high-quality materials, packaged in beautiful boxes. These are not toys, these are collectibles and horror fans should own them all. Well, at least one, your favorite one.
Halloween/Goth Shoes ($45-$120) https://strangecvlt.com/ I’ve heard it said if you’re gonna join a cult, then, join a shoe cult, and there’s no better place to start than Strange Cvlt shoes. From sandals to flats, Mary Janes to platform boots, this is the only socially acceptable fetish a girl can have without getting burned at the stake.
Friday the 13th Blu-ray Collection – Deluxe Edition ($129-159) https://www.amazon.com/Friday-Collection-Blu-ray-Betsy-Palmer/dp/B07GNV288V Bring Jason Vorhees home this holiday! Finally a worthy Blu-ray collection of the most successful, long-running slasher series in film history. All 13 movies, some digitally remastered in 4K and featuring a booklet, behind-the-scenes, commentaries, interviews, and special features in the most incredible packaging I’ve ever seen from Scream Factory.
Season’s Screamings Tickets – December 17-19, Pasadena Convention Center ($30-60-95) https://midsummerscream.org/seasons-screamings/ This one-of-a-kind holiday horror convention promises just as many chills and thrills as its parent-con Midsummer Scream, which was canceled earlier this summer. This is the place to find dark holiday gifts and spooky stocking stuffers. The event includes special ghoulish guests, over 200 exhibitors and vendors, and the Hall of Yuletide Spirits, a “dark showfloor of holiday themed haunts and yard displays, created by Southern Californias most talented haunted house creators.” Did I mention Pasadena is simply lovely this time of year?
Amazing Pre-order Gifts: Every penny is worth the wait!
☆Dying Light II Stay Human – Feb 4, 2022 ($60-80) https://dl2.dyinglightgame.com/ Techland’s sequel to the worldwide phenomenon Dying Light could be the dream of every gamer and zombie fan alike. Trailers and early play-throughs show a creative, technical, and visual feast. The first Dying Light game featured hours of gameplay, multiple DLCs, great customer and technical support, and developed a strong community of fervent players (like me) anxiously awaiting this new gaming adventure.
☆Mezco’s Monsters – Tower of Fear Deluxe Boxed Set – March-May 2022 ($95) https://www.mezcotoyz.com/5-points-mezcos-monsters-tower-of-fear Delight your inner child with this fabulous-looking multi-level diorama playset featuring 5 highly detailed poseable classic monsters and a host of accessories, all packaged in a collector-friendly box to bring your own favorite horror stories to life! This product is for collectors, not children.
☆Bela Lugosi as Dracula by Infinite Statue & Sideshow – June 2022 ($300-355) https://www.sideshow.com/collectibles/dracula-bela-lugosi-infinite-statue-909742?var=909743 Sideshow and Infinite Statue teamed up with Kaustic Plastik to give us the Dark Prince himself, Bela Lugosi! This handpainted, incredibly detailed sixth-scale figure features two different sculpted heads, ten poseable hands, fully costumed, accessories, and captures the beauty and essence of the most recognizable horror icon ever created. The Deluxe version features a spooktacular coffin for $355. This is the ultimate tribute to both the character of Count Dracula and the beloved actor who embodied him. A must-have collectible for vampire fans.
Full-length, remastered HD version of Night of the Living Dead, directed by George A. Romero, brought to us by Public Domain Films
Ever wonder how the most popular zombie film of all time, Night of the Living Dead ended up in U.S. public domain? Well, it happened after the original theatrical distributor, Walter Reade Organization, failed to replace a necessary copyight notice on the title card of the print of the film, after changing the movie’s title from Night of the Flesh Eaters to Night of the Living Dead.(1)
As a result of the distribution company’s error, George A. Romero immediately lost the rights to his film, and subsequently, millions of dollars in lost revenue, advertising and merchandising. In fact, up until Night of the Living Dead, zombie movies were about mind-controlled humans through manipulation, sorcery or voodoo. Romero was actually the first to create an undead flesh-eating creature that preys on the living. So, we can pretty much speculate that if Romero had retained the rights to Night of the Living Dead, every zombie book, film, TV and video game would have been controlled by George A. Romero.
Romero often expressed that losing the rights to his first feature film was one of his biggest regrets. The famed horror director passed away in 2017, after watching his creation grow into a monsterous sub-genre of horror. Strangely enough, Night of the Living Dead falling into public domain helped make zombies more popular, inspired creativity across the globe, helped spawn several horror franchises, and even launched the careers of some of today’s best horror directors. The entire zombie industry owes a debt of gratitude for its existence to this man. Maybe the universe knew the power to control zombies was too big a task for one human being.
It all worked out for George A. Romero too. As zombie popularity grew, Romero earned more opportunities to make movies, created projects, wrote books and comics, and even capitalized on his own notoriety as the “king of the zombie films.” In 1999, Night of the Living Dead was added to the U.S. National Film Registry for its historical and cultural significance.
Summer is always a rough season. Summer combined with the Corona virus lockdown is almost unbearable, but being stuck inside doesn’t have to be torture. I found these five low budget gems, definitely better than expected, that should satisfy your horror movie cravings.
We Summon the Darkness (2019) Service: Netflix
“There’s a lotta evil out there.”
For anyone’s who has ever worn a leather vest over a jean jacket, sported big feathered hair, or been bullied for listening to Ozzy or Slayer, all over the misguided belief that heavy metal is Satan’s music for devil worshippers, this one’s for you. Set in the 80s, this low-key thriller about three victims falling prey to a murderous cult with diabolical intentions isn’t particularly scary or gory, but it definitely harkens back to those old glossy B slashers that the studios used to churn out. The movie stars a gaggle of Hollywood’s brightest teen stars, led by Alexandra Daddario, and Johnny Knoxville, surprisingly right at home, playing a smarmy televangelist. The energy is high and acting is decent, honestly though, absolutely nothing else stands out here. Both the plot and the twists are totally predictable, it’s a little hard to tell if that’s by design or not. If I was one of the filmmakers, I’d get all meta and say, ‘oh yeah, it was supposed to be that way.’ People really enjoy homages, and stickin two giant middle fingers up to the real evil in the world, those big greedy corporate churches, for lying to the world about great music, using the lord’s name in vain, and besmirching religion. That, plus a bitchin’ soundtrack, and heavy metal couture, so 80s, you can almost smell the AquaNet, there are worse ways to spend a Saturday night.
Spring (2014) Service: Shudder
“I gotta make sure you’re the kinda crazy I can deal with.”
There aren’t too many well-made horror romances out there in the world, but this movie is in top ten. Spring, the story of grieving young man who finds love with a mysterious woman, while on a vacation in Italy, is just as refreshing as its name sounds. It’s simply a beautiful movie, everything from the strange Lovecraftian story to the incredible cinematography, and the dark, creepy suspense to the blossoming love between two strangers. What makes the film work, besides getting lost in charming scenery of Southern Italy, is the chemistry between the leads Lou Taylor Pucci and Nadia Hilker, it’s sweet, like saccharine, yet, definitely filled with a touch of danger and mystique. Their romance moves a little fast and even seems unrealistic, but if you factor in love at first sight (hey, it can happen), and remember the vulnerability of a lonely, grieving, inexperienced young man, it becomes real easy to understand why he would be attracted to an alluring, beautiful, mystical 2000 year old creature. It’s almost sad to watch her toy with him so effortlessly, then again, the boy is as impulsive as he is lost. A violent episode in the film’s beginning shows he’s far from a perfect hero and they might just be morally matched. As for the girl and her “condition”, well, you’ll just have to go watch the movie to see if her intentions are pure or not.
Ghost Stories (2017) Service: Hulu
“Things are not always as they seem.”
This movie about a skeptical professor and paranormal debunker is a cleverly disguised anthology from IFC Midnight, turns out to be one of the scariest movies that I’ve seen in a long time. Triple threat writer-director Andy Nyman stars as the wry skeptic investigating the disappearance of his hero mentor. Once he finds him, he is then tasked with looking into the old man’s three most disturbing cases, which brings the professor on a terrifying journey of self-discovery. Nyman, along with co-creator Jeremy Dyson based their script off their hit theater show of the same name. The writing, cinematography and performances here are all phenomenal, in particular, Martin Freeman as a haunted banker, and in a mystery role, that I won’t give away. Ghost Stories makes good work of jump scares and sports some deep Hammer vibes, paying homage to numerous horror films, so it’s not inventing the wheel or anything, just making really good use of the tools from the tool box. Sometimes, that’s all a proper horror film needs.
One Cut of the Dead (2017) Service: Shudder (Japanese subtitles)
“One take, no cuts. With one camera from start to finish.”
Shin’ichiro Ueda’s brilliant feature debut is a bit of movie inception. The movie starts off as a seriously cheesy low-budget zombie movie about an indie film crew filming a zombie movie in an abandoned warehouse, when suddenly, they’re attacked by real zombies, much to the director’s delight. If you’re still watching by the time the credits roll about 37 minutes in, yes, you read that right, boy, are you in for a treat! As you’re sitting there wondering ‘what the hell was that?’ a new movie starts. Well, sort of, it’s a flashback, and all good things to those who wait. One Cut of the Dead isn’t really a cheesy low-budget zombie film, it’s a hilarious meta-satirical comedy about filmmaking, including the backstage antics of producing live television. There are a ton of references to zombie movies and lots of gore and screaming, of course, but, the real prize here is the storytelling. One Cut features a strong message about the collaborative filmmaking process, and the resourcefulness, courage and heart it takes to be in the entertainment business. I guarantee, by the third act, you’ll forget all about those 37 minutes wasted in the beginning and cheer on the film crew’s spirited efforts to make their zombie movie.
Blood Quantum (2019) Service: Shudder
“Every one of those motherf****** is a time bomb.”
Blood Quantum is essentially zombies on a modern-day reservation. You get all the blood-thirsty ravaging undead and pensive natives struggling to survive day-to-day, while reconciling their anger, resentment, and fears. Writer-director Jeff Barnaby channels his inner Romero and delivers biting social commentary on real life native troubles by drawing parallels to surviving in the zombie apocalypse, thus, immediately making it a better than average zombie story. Life on the reservation hasn’t improved, but it hasn’t necessarily deteriorated either. The white man is still trying to kill us. Same shit, different millennia. A little closer to the heart, there’s nice family drama subplot involving a wayward son named Lysol, wonderfully played by Kiowa Gordon. Lysol is one complex dude. He’s angry and alluring, righteous, and terrifying, and I don’t think it’s a stretch to say he represents a lot of young native men across the North America. Sadly, in a film filled with quirky interesting characters, Lysol is one of the few fleshed out characters. Dropped plot points involving back stories is just one of tiny problems that all add up over time, keeping the film from being truly great. I read director Barnaby wore several post production hats to ensure he told the story he wanted to tell, but I can’t help but wonder what the film could have been, if only it had a bigger budget and better editing. Despite its obvious flaws, this is a solid horror movie with nice cinematography, comical one-liners, ranging from cheesy to endearing, and plenty of zombie action and bloody carnage.
Pandemics and zombies go together like mac and cheese. Maybe, we’re looking for survival tips. I mean, zombie movies and apocalyptic horror have a special way of reminding us that humanity is worth fighting for, right? Well, we’re not dead, or undead, yet, so, if you’re not yet ready to build a bunker, start a collection of assault rifles, or learn to love cold chili from a can, here’s a list of my favorite zombie movies to better prepare us for doomsday.
10. Cargo (2017)
“I don’t think normal is on the horizon.”
Based on the brilliant 2013 short of the same name, Cargo is the story of a father wandering across the apocalyptic Australian wasteland with his infant daughter, searching for help, after he’s been bitten. Sometimes doing right by humanity means not getting caught up in other people’s misery.
9. Re-Animator (1985) “You’ll never get credit for my discovery. Who’s going to believe a talking head?”
Stuart Gordon directs this blood-drenched, nudity-filled horror-comedy, based on the H.P. Lovecraft’s short story, about a group of ethically questionable doctors fighting for control of a glowing green serum that brings the dead back to life. This is quintessential 80’s horror for anyone who believes doomsday starts in a lab.
8. Dawn of the Dead (2004) “In the back of my mind, I was always thinking, better them than me.”
Director Zack Snyder ups the survivor stakes by replacing slow shambling zombies with a little berserker action, in this retelling of George Romero’s 1979 film of the same name. While it falls short on Romero’s mastery of social commentary, it does have the most thrilling opening sequence of any zombie movie ever and does a good job showing what diversity looks like in apocalypse.
7. 28 Weeks Later (2007) “As we approach your new home, you will notice a dramatically increased military presence.”
The US military swoops in to save the day or does it? This action-packed sequel to Danny Boyle’s horror masterpiece, 28 Days Later, features an all-star cast and another bleak story of desperate, complicated survivors, including two resourceful teens, whose father recently went out for ice cream.
6. The Girl with All the Gifts (2016) “Pandora peered into the box and found one more thing in the bottom. It was hope.”
Zombie horror for the thinking man, based on the book by M.R. Carey, with a story set in rural England, where military scientists study an airborne fungal pathogen that turns people into zombies, by experimenting on special children who born with bloodlust but managed cognitive thinking and learning capability. Humans may be willing to do anything to survive, but remember, nature has a way of favoring the dominate of the species.
5. Train to Busan (2016) “Those of you who just got here, I don’t think you can stay with us.”
This Korean thriller about a group of survivors stuck on a bullet train, trying to make its way to country’s last stronghold before the zombie horde gets to them, is non-stop action from beginning to end. Korean directors sure like using trains to point out social inequalities and class warfare. Btw, Peninsula, Busan’s upcoming sequel set in the same universe with a new kinetic story is expected to be released sometime in 2020.
4. Shaun of the Dead (2004) “As Bertrand Russell said the only thing that will redeem mankind is co-operation.”
Sometimes the only thing to do is go to your favorite bar, have a nice cold pint, and wait for this all to blow over. Oh, that’s right, we’re on lockdown. Well, I hope you stocked up on Cornettos. The world’s first zombie rom-com is loaded with laughs, but doesn’t skimp on the gore, nor the scares, plus, it can teach us a thing or two about sticking close to loved ones during the bad times.
3. 28 Days Later (2002) “It started as rioting. But right from the beginning, you knew this was different.”
The fact that this film shows up on my zombie list sheds light on my opinion on whether this is a true zombie film. Some people debate that 28 Days Later is not a true zombie film because they’re highly infectious cannibals, who are very much alive. But, much of what’s most terrifying of Danny’s Boyle’s brilliant thriller about a military science experiment gone bad is the explanation of the rabid virus is the most logically plausible. Dead, undead, who cares, humanity has collapsed due to hordes of uncontrollable flesh-eating rage-monsters ravaging the London countryside. Sounds like a zombie film to me!
2. Night of the Living Dead (1968) “Don’t you know what’s goin’ on out there? This is no Sunday School picnic!”
Inspired by political and racial strife of the early 60s, young filmmaker George A. Romero had no idea the impact his little low-budget movie would have on films, much less the horror genre, with a story of a group of complicated survivors holed up together in a farmhouse surrounded by undead corpses preying on the flesh of the living. The metaphorical snapshot of American society on edge is sadly, still relevant. Clerical errors sent the film into the Public Domain. As of March 2019, the film has been downloaded 3.1 million times. Looks like Romero’s biggest regret of not doublechecking the copyright form has been a true gift to humanity.
1. Dawn of the dead (1979) “Wake up, sucker! We’re thieves and we’re bad guys. That’s exactly what we are.”
George A. Romero’s magnum opus is number one on all the zombie lists for a reason. It’s the one that created the most popular subgenre in horror films, for which, all others pay homage to. The film was chock-full of both realism and symbolism. There are unforgettable characters, heroes with real flaws that audiences find identifiable or admirable in some way. Deep down inside, there’s a little fly boy or fly girl in all of us. Then, there’s Romero’s brilliant social commentary, a story that simultaneously mocks and celebrates American society and its insatiable consumerism. Our sanctuary, the American Mall. Our tool for survival, the almighty gun. Our privilege, unimaginable wealth, just behind glass doors. Golly gee, if we only had the guts to brave the hordes of flesh-eating monsters standing in our way. Pssst…all the living dead are capitalists!
We must stop the killing, or lose the war.
Halloween Horror Haiku 
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