Timeless Thursday, Throwback Thursday, it’s all the same, it means, we’re going back in time!Â
Did you know that Bobby ‘Boris’ Pickett had a couple of lesser known monster hits after the chart topping smash hit Monster Mash in 1962? The original Monster Mash album had 16 tracks altogether, including this one:
Title: Monster’s Holiday Singer/Band: Bobby Pickett Date: 1962
Well, actually, comedian Pickett was probably the only person who ever continually parodied his own music, but the success of Monster Mash was never duplicated. He sure looked like he was having fun anyway.
Title: Monster Swim Singer/Band: Bobby Pickett Date: 1964
I suppose, if it aint broke, don’t fix it!😄
Title: Monster Rap Singer/Band: Bobby Pickett Date: 1984
About that Monster Mash, it was spoof on popular dance craze songs at the time. The song was co-written with Leonard Capizzi in May 1962 and hit the top US Billboard 100 by October the same year. By 1973, it had re-charted five other times and eventually earned gold status, making it the greatest novelty song in history.
Hit up Wikipedia to learn more about Bobby Boris Pickett. By the way, did you know Monster Mash still generates $1 million dollars annually in royalties?! <grunts> Mash goooood!
Songs copyright by respective owners. No copyright infringement intended. This is fan appreciation and critique. Reposting video under the “fair use” privilege of U.S. Copyright law. These videos still could be removed at anytime. Please email me at Halloweenkristy@gmail.com to report broken links.
From rock stars to sports icons, custom jobs to landscapes, and Hollywood Murals to Disneyland Halls, chances are if you live in the USA, you’ve probably already seen SoCal artist James Crouch’s vibrant stunning art murals somewhere in person.
Headless Horseman by James Crouch from Vintage Monsters Collection
Why we love it:
James Crouch is an Imagineer working with Walt Disney Company for over 30 years. Some of us just grew up seeing this guy’s iconic work our whole lives.
Happy Trick or Treat Tuesday! Be the first person to answer all five questions correctly in the Comments Section and win some spooky stickers as a treat!
What 1959 novel made The Atlantic’s Greatest American Novels top 100 list?
Horror icon Vincent Price deliberately turned in a campy over-the-top performance in which fun spooky film?
Celebrities share their real life encounters with the paranormal in which Apple TV series?
Paranormal investigative couple Ed and Lorraine Warren were heavily involved in the real life haunted funeral parlor case that inspired which “Haunting of” movie?
Haunted is the fifth track on the debut album for which 90s rock band?
Rules: First person to answer ALL five questions correctly in the Comment Section of this WordPress post, will win some spooky stickers.
Happy October! We are a haunted nation, full of demons masquerading as god’s children, in places we never dreamed, doing things we don’t want to imagine.
Resist evil.
October’s full moon is the first supermoon of the year, a harvest moon, named for time of year when crops are plentiful. Too bad no one is around to pick them.
screams that no one hears beware of those haunted souls nation full of ghosts
Spooky Sundays are all about reading, relaxing, and recharging our brooms.
Darkness is gothic poem of apocalyptic dream where the world succumbs to darkness, despair, and death after the sun and the stars are extinguished.
The poem was likely inspired by climate event known as The Year without a Summer in 1816, when an ash cloud from an Indonesian volcanic eruption spread across Europe killing crops and causing by food shortages. The poem is metaphor for humans losing hope for goodness and light when darkness takes hold. Seemed fitting poetry for current events.
Lord Byron painted by Richard Westall 1812.
Darkness by Lord George Gordon Byron (July 1816)
I had a dream, which was not all a dream. The bright sun was extinguish’d, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth   Swung blind and blackening in the moonÂless air; Morn came and went–and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill’d into a selfish prayer for light:   And they did live by watchfires–and the thrones, The palaces of crowned kings–the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consumed, And men were gather’d round their blazing homes To look once more into each other’s face;   Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain’d; Forests were set on fire–but hour by hour   They fell and faded–and the crackling trunks Extinguish’d with a crash–and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down   And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smiled; And others hurried to and fro, and fed Their funeral piles with fuel, and look’d up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash’d their teeth and howl’d: the wild birds shriek’d And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl’d And twined themselves among the multitude, Hissing, but stingless–were slain for food. And War, which for a moment was no more, Did glut himself again:–a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left;
All earth was but one thought–and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails–men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour’d, Even dogs assail’d their masters, all save one, And he was faithful to a Gorse, and kept The birds and beasts and famish’d men at bay, Till hunger clung them, or the dropping dead Lured their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer’d not with a caress–he died. The crowd was famish’d by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap’d a mass of holy things For an unholy usage; they raked up, And shivering scraped with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other’s aspects–saw, and shriek’d, and died– Even of their mutual hideousness they Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless, A lump of death–a chaos of hard clay. The rivers, lakes, and ocean all stood still, And nothing stirr’d within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp’d They slept on the abyss without a surge The waves were dead; the tides were in their grave, The moon, their mistress, had expired before; The winds were wither’d in the stagnant air, And the clouds perish’d; Darkness had no need Of aid from them–She was the Universe.
The Last Man painted by John Martin 1849
~~~~~
To read more poems from Lord Byron, check out the Poetry Foundation.
Every year, I see recipes for decadent desserts for Halloween and it makes me so jealous. One, I can’t bake for beans, and two, apt living means tiny kitchen, but I thought I’d give it another go this year.
I’ll be honest, I’m picking the laziest, no fuss recipes I can find. For me that means box mixes and pre-made shit. This is a judgement free zone when it comes to cooking and baking. If you have time to make from scratch, knock yourself out. I don’t. End of story.
Besides, work smarter, not harder!🎃
For this first Sinister Saturday, I made GRAVEYARD BROWNIES.
Inspired by the recipe for Graveyard Halloween Brownies over at Dish ‘n in the Kitchen, I too used Giarardelli’s Double Chocolate Brownie mix. This box mix is to die for. You only need to mix in an egg, 1/4 cup water and 1/3 oil, and 40 minutes later, so much deliciousness, you’ll think it’s a sin.
After waiting for the Brownies to cool down, I cut them into squares and added my other pre-made ingredients crushed Oreos for Graveyard dirt, and Milano cookies for tombstones. I didn’t have any black icing, so I just used some chocolate syrup and wrote RIP on the Milano cookies.
The results are delicious, even if my pictures don’t pass the smell test. 🤣
Happy Friday! It’s the return of Friday Fright Nightcaps! In honor of this month’s theme Haunted Halloween, I present the Ghastly Spritzer. Who doesn’t love a nice smooth fizzy cocktail!
Ingredients: 1 oz. Malibu coconut rum 2 oz. vodka 1.5 oz. pineapple juice 3 oz. sparkling water ice
This drink wildly interchangeable. Too weak, add more vodka. Too strong, add more pineapple juice. Too sweet, add more sparkling water, I used a flavored La Croix but honestly the Malibu drowned out the flavor in sparkling water.
Ghastly Spritzer
Also, I missed Random Acts of Poetry Day on October 1st, so I’m sliding in a suggestion to check out this great book from Everyman’s Library and edited by John Hollander entitled “Poems Bewitched and Haunted” a collection of classic spooky poems and short stories.
Gothic scares from literary greats like Dickinson, Goethe, Horace, and Poe. Must read for Halloween!
Happy October! It’s Throwback Thursday and today we’re listening to the earliest spooky tunes ever recorded.
Title: The Skeleton Rag Composer: Unknown Singer/Band: American Quartet Date: circa 1912
The Skeleton Rag circa 1912 is the earliest known recorded spooky song. Not much is known about the song, but Wikipedia has a whole page dedicated to American Quartet, a widely known vocal group that made music from 1899-1925.
Title: At the Devil’s Ball Composer: Irving Berlin Singer/Band: Maurice Burkhart Date: circa 1912/1913
According to Wikipedia, At the Devil’s Ball was first composed by Irving Berlin, with the earliest copyright registered on November 14, 1912. It was recorded a few times by different groups throughout 1912, but Maurice Burkhart’s 1913 version is best known.
Title: That Syncopated Boogie-Boo Composer: American Quartet Singer/Band: American Quartet Date: circa 1913
Boogie woogie is a popular type of blues music from early teens and 1920s. Wikipedia reports that the first use of the word “Boogie” in a recording title appears to be a “blue cylinder” recording made by Edison of the “American Quartet” performing “That Syncopated Boogie Boo” in 1913.
Anything created before 1923 is considered a Public Domain work and free to use or reproduce. That said, the owners of these YouTube Channels control the content they posted, so these videos could be removed at anytime. Please email me at Halloweenkristy@gmail.com to report broken links.
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