I have to be honest, searching for art is not like it used to be a few years ago, hell, just last year even. AI and capitalist marketing of goods, often AI rendered art, is heavily promoted in search engines making it nearly impossible to find anything. This could seriously be my last Wicked Art Wednesday if I don’t come up with another plan.
That said, I chose a phenomenal artist whose stunning art is worthy of closing out my Halloween 2026 schedule. I present to you the fine art of Kurtis Rykovich!
Why we love it: Spooky cats, fantastical creatures, haunted images, spooky and cute, colorful macabre, it’s all here, a visionary smorgasbord for your eyeballs.
Spookiesboo is the epitome of spooky and cute! It’s been so great to watch her little independent art shop grow into a full-on art branded merchandising business, including exclusive collaborations, with Laika Studios, Coraline, Paranorman, Yo Gabba Gabba! and many more!
Explorer Coraline Enamel Pin, $15, Spookiesboo x Coraline (TM)
Coraline(TM) x Spooksieboo (TM) Ghost Children T-Shirt, Hot Topic (currently sold out)
In addition to her online shop, you can find Spookiesboo in-person at San Diego Comic Con, Midsummer Scream and various trade shows across the nation throughout the year.
Spooky Sundays are all about reading, relaxing, and recharging our brooms.
Grab a cup of tea and find a cozy place to get whisked away by the gothic romanticism of English poet and writer Alfred Noyes in this tragic tale of love and sacrifice.
The wind was a torrent of darkness among the gusty trees. The moon was a ghostly galleon tossed upon cloudy seas. The road was a ribbon of moonlight over the purple moor, And the highwayman came riding— Riding—riding— The highwayman came riding, up to the old inn-door.
He’d a French cocked-hat on his forehead, a bunch of lace at his chin, A coat of the claret velvet, and breeches of brown doe-skin. They fitted with never a wrinkle. His boots were up to the thigh. And he rode with a jewelled twinkle, His pistol butts a-twinkle, His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dark inn-yard. He tapped with his whip on the shutters, but all was locked and barred. He whistled a tune to the window, and who should be waiting there But the landlord’s black-eyed daughter, Bess, the landlord’s daughter, Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked Where Tim the ostler listened. His face was white and peaked. His eyes were hollows of madness, his hair like mouldy hay, But he loved the landlord’s daughter, The landlord’s red-lipped daughter. Dumb as a dog he listened, and he heard the robber say—
“One kiss, my bonny sweetheart, I’m after a prize to-night, But I shall be back with the yellow gold before the morning light; Yet, if they press me sharply, and harry me through the day, Then look for me by moonlight, Watch for me by moonlight, I’ll come to thee by moonlight, though hell should bar the way.”
He rose upright in the stirrups. He scarce could reach her hand, But she loosened her hair in the casement. His face burnt like a brand As the black cascade of perfume came tumbling over his breast; And he kissed its waves in the moonlight, (O, sweet black waves in the moonlight!) Then he tugged at his rein in the moonlight, and galloped away to the west.
PART TWO
He did not come in the dawning. He did not come at noon; And out of the tawny sunset, before the rise of the moon, When the road was a gypsy’s ribbon, looping the purple moor, A red-coat troop came marching— Marching—marching— King George’s men came marching, up to the old inn-door.
They said no word to the landlord. They drank his ale instead. But they gagged his daughter, and bound her, to the foot of her narrow bed. Two of them knelt at her casement, with muskets at their side! There was death at every window; And hell at one dark window; For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest. They had bound a musket beside her, with the muzzle beneath her breast! “Now, keep good watch!” and they kissed her. She heard the doomed man say— Look for me by moonlight; Watch for me by moonlight; I’ll come to thee by moonlight, though hell should bar the way!
She twisted her hands behind her; but all the knots held good! She writhed her hands till her fingers were wet with sweat or blood! They stretched and strained in the darkness, and the hours crawled by like years Till, now, on the stroke of midnight, Cold, on the stroke of midnight, The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it. She strove no more for the rest. Up, she stood up to attention, with the muzzle beneath her breast. She would not risk their hearing; she would not strive again; For the road lay bare in the moonlight; Blank and bare in the moonlight; And the blood of her veins, in the moonlight, throbbed to her love’s refrain.
Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear; Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear? Down the ribbon of moonlight, over the brow of the hill, The highwayman came riding— Riding—riding— The red coats looked to their priming! She stood up, straight and still.
Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night! Nearer he came and nearer. Her face was like a light. Her eyes grew wide for a moment; she drew one last deep breath, Then her finger moved in the moonlight, Her musket shattered the moonlight, Shattered her breast in the moonlight and warned him—with her death.
He turned. He spurred to the west; he did not know who stood Bowed, with her head o’er the musket, drenched with her own blood! Not till the dawn he heard it, and his face grew grey to hear How Bess, the landlord’s daughter, The landlord’s black-eyed daughter, Had watched for her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shrieking a curse to the sky, With the white road smoking behind him and his rapier brandished high. Blood red were his spurs in the golden noon; wine-red was his velvet coat; When they shot him down on the highway, Down like a dog on the highway, And he lay in his blood on the highway, with a bunch of lace at his throat.
. . .
And still of a winter’s night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a ribbon of moonlight over the purple moor, A highwayman comes riding— Riding—riding— A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard. He taps with his whip on the shutters, but all is locked and barred. He whistles a tune to the window, and who should be waiting there But the landlord’s black-eyed daughter, Bess, the landlord’s daughter, Plaiting a dark red love-knot into her long black hair.
Alfred Noyes
To learn more about the author Alfred Noyes and read his other works, please visit The Poetry Foundation
From rock stars to sports icons, custom jobs to landscapes, and Hollywood Murals to Disneyland Halls, chances are if you live in the USA, you’ve probably already seen SoCal artist James Crouch’s vibrant stunning art murals somewhere in person.
Headless Horseman by James Crouch from Vintage Monsters Collection
Why we love it:
James Crouch is an Imagineer working with Walt Disney Company for over 30 years. Some of us just grew up seeing this guy’s iconic work our whole lives.
Today, we celebrate the one and only art master Alex Ross, as a special tribute to Halloween, with a look at his beautiful magnificent drawings of the beloved Universal monsters.
Why we love it: Alex Ross’ influence on comic book artists is unparalleled. The man’s technical artistry is awe-inspiring, with his ability to show realism and the emotional depth of characters truly makes them come alive.
I could just sit here all day describing him with good adjectives. Mr. Ross is simply a marvel. One doesn’t just look at his art, they have feelings.
Why we love it: Johanna Parker’s name is synonymous with Halloween folk art and vintage Halloween replicas. She often partners with top retail and wholesalers, where her art and designs are featured on everything from art and clothing to Halloween decorations and home goods.
Why we love it: Spooky Wil’s original designs are whimsical nods to that feel-good vintage Halloween style. In his shop in the UK, Wil sells vintage style halloween clothing, decor, homewares, and memorablia, Hocus Pocus and other spooky movie merch, and even rare, hard to find Halloween items.
There’s a new 2025 calendar up for sale. Order yours today before they sell out!
My first encounter with vintage Halloween artist Austin Pardun was seeing his drawings at Midsummer Scream a few years ago. I missed seeing him this past summer, but I’m sure he’ll be back.
Artist: Austin Pardun Company/Studio: Austin Pardun Art
Why we love it: Ausin Pardun is another artist whose beautiful drawings mimic that classic Halloween style so well, it’s like they walked off the pages of a 1940s Halloween Beistle catalog.
I’m kicking off the 2024 Halloween season and my theme of Halloween Vintage Classic by sharing the wildly vivid and spooky art of one of my faves, Drew Rausch.
Art by Drew Rausch
Artist: Drew Rausch Company/Studio: The Art of Drew Rausch
Why we love it: Drew’s vintage Halloween characters feel like tributes to Halloween’s golden era. It’s like he’s transporting us straight into the past and we’re looking at some ad in Dennison’s Bogie Book.
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