Happy 50th Anniversary Jaws!

June 20, 2025 marks the 50th Anniversary of Jaws.

Distributed by Universal Pictures and directed by young and upcoming  wunderkind named Steven Speilberg, the oceanic horror-thriller was based off Peter Benchley’s best selling novel of the same title grossed $7.9 million dollars and spent 14 weeks at the top of the box office, making it the very first “summer blockbuster” of Hollywood films. A critical and commercial success, the movie changed the landscape of all art and film and would go on to be the first film to earn $100 million dollars.

Jaws is a masterclass in fear, even John Williams’ brilliant score alone was enough to send shivers up spines and keep people outta the water. It isn’t just about facing the horror of giant man-eating vengeful shark though, it’s a psychological look at the breakdown of smalltown life. It’s the fear of a simple man overwhelmed with the job of trying to protect his community. A weary wife and mother afraid of losing her family. The fear of a elected official losing the faith of his community.  The fear of a community losing their economy, their livelihoods, and their lives to something they cannot control. The fear of a young insecure college grad being ridiculed for his intellect and his ideas. And, the fear and trauma of an old fisherman who survived a horror greater than war.

It was years before I truly understood how great the story of Jaws was. I was very young when I first saw it in a drive-in theater in San Diego, CA. It’s my first movie memory, peeking inbetwen the car seats up at giant screen, yards away, as young swimmer was violently yanked under the water. This was back in the day when parents didn’t really shield kids from sex and violence in movies and TV. I watched a lot of old 70s horror movies this way. In fact, this is where my love for horror movies began.  Being the first movie I ever saw, Jaws has a very special place in my heart. I try to watch it every year, usually around Fourth of July, when the story is set. I must have seen this film a hundred times at least and it never gets old.

Some may argue Jaws didn’t do any favors for sharks. Yes, it created mass hysteria and worldwide fear of sharks,  For all the fear it generated, I think Jaws also sparked interest in sharks. Something that led to the increased study of sharks and all sea life behavior, maybe even put marine biology on the map. This all helped create conservation of sharks and ocean life. It’s been a long hard fought battle to save this planet by learning not to be afraid of what lurks in the ocean. Love it or hate it, Jaws is an unforgettable masterpiece worth celebrating.

Scariest Scenes in Horror

As we say goodbye to Spooky September to usher in the haunted Halloween season, I thought I’d share my picks for some of the scariest scenes in some classic horror movies.

Horror is perhaps the most subjective genre of all films, because what’s scary for one person, may not be scary to another. Yet, there seems to be some type of collective conscience of fear that most of us tap into when we see a scary moment on film.

Art by Nathan Thomas Milliner

It’s that one scene that chills us to the bone, or makes us throw the blanket over our head, or creates a tiny wave of spiders that crawl over our skin. Sometimes it’s a jump scare and sometimes it’s 4 minutes of terror that turns our spines into butter.

One of the best found-footage films to come out of the early 2000s, that spawned three sequels, this Spanish-language horror classic thrusts audiences into the dark and forces them to experience the frantic terror of a surviving film crew locked in an apartment building filled with zombies. There was an English remake called Quarantine in 2008, nearly identical to the original, scene for scene, as seen in the video below. The movie uses a shaky handheld camera to build tension and thr jump scares to terrorized movie goers, but perhaps the biggest scare ended up as the last shot of the movie.

A critical failure when first released, Session 9 is horror’s most underrated gem and now has a huge cult following. This slow-burn psychological horror is the story of an asbestos removal crew assigned to clean up the abandoned Danvers State Mental Hospital in less than a week. When one of the crew members Mike finds a box of session tapes belonging to a former patient named Mary, who suffers from dissociative identity disease, the terrifying truth of what happened to her one fateful night plays out as we slowly watch another member of the crew, Gordon, lose his grip on reality. By the end of the movie, we meet what we believe may be one of Mary’s most dangerous personalities, Simon, during session 9, the movie’s most chilling recording.

Another found footage supernatural horror gem that plays out like a pseudo-documentary, follows the sad decline of a woman named Deborah Logan, suffering from Alzheimer’s disease. At first, we feel sorry for the woman and her family, watching Deborah’s bone-chilling antics through the eyes of a camera lens, but soon we come to understand that a sinister being may actually be behind what’s taking hold of Deborah’s mind. It’s always scary whenever a movie uses real-life illnesses like Alzheimer’s or Cancer as a plot point, but no one was ready for that crazy cave scene.

Smart marketing and strong word of mouth spun the little unknown film from first-time director Oren Peli into a popular supernatural franchise. The first film initially cost only $15,000 to make and went on to gross $194 million dollars. Part of the successful marketing campaign showed trailers with audience reactions to the movie about a young couple Katie and Micah, who moved into a suburban tract home inhabited by a demonic spirit. Filmed with shaky cam, there were numerous jump scares and long intense shots seen through security camera style footage, which showed the couple’s sleepless nights. The scariest moment was watching Katie get pulled out of her own bed and brutally dragged down the dark hallway on day 20 of their terrifying ordeal.

Based on the untold files of real-life paranormal investigators Ed and Lorraine Warren. In 1971, the Warrens followed up their case about a possessed doll named Annabelle, by helping the Perron family, who claimed their newly purchased Rhode Island farmhouse was haunted by a malevolent spirit. Lorraine learns that spirit is named Bathesheba, a local witch and Satanist from Puritan times who cursed the land. Back before the days of cable and internet, the Perron parents entertained their five daughters with a variation of Hide and Seek, where the hiders clap their hands to clue in the blindfolded seeker of their location. Apparently, ghosts like to play games too.

Crowned the scariest film ever made by Broadband Choices in 2020, based on the analysis of viewer heart rates, Sinister follows a true crime writer Ellison Oswalt played by Ethan Hawk, as he moves his family to Pennsylvania, chasing inspiration for a new story that will bestow the same accolades and riches he gained for his first book. The new house is actually the sight of a gruesome murder that Oswalt has decided to write about. Oswalt finds a projector in the eerie attic and a box filled with old Super8 tapes spanning decades, all inconspicuously titled home movies, and all depicting a frightening juxtapose of several families enjoying their normal lives, followed by their grisly murders. The scariest is ‘Lawn Work ’86’, where viewers join the silent creepiness of the voyeuristic killer eyeing his next victims, that eventually cumulates into a giant jump scare involving a lawnmower. It’s a scene that’ll make anyone’s heart rate go up.

In last month’s blog post about Best Deaths in the Alien Movies, I picked the chestburster scene in Alien as best death scene in the whole franchise, but it’s also the scariest. It’s a shocking, gruesome, bloody death scene that not only changed the tone of the film, but the entire genre, securing Alien as the greatest SciFi Horror film ever made. The scene often parodied and duplicated by its own sequels, it’s probably the greatest jump scare of all time too.

Considered the first summer blockbuster ever, one of Steven Spielberg’s turned Peter Benchley’s commissioned best-selling novel into a sleek thriller about the seaside town of Amity Island terrorized by a man-eating shark over the July 4th weekend. The movie follows police chief Brody as he, a young marine biologist, and a colorful professional shark hunter track down the beast. Jaws is a study of fear and it all starts with the movie’s opening scene of a girl swimming naked in the ocean. This classic opener sets the tone of the movie and eventually becomes the catalyst of a fear of open water for millions of people worldwide.

I had a hard time picking the scariest scene from Stanley Kubrick’s adaptation of Stephen King’s best-selling horror novel, The Shining. The movie follows a writer Jack Torrance, who moves his wife Wendy and their son Danny to Colorado for the winter to become the caretaker of a magnificent haunted hotel. Between the ghosts and the cabin fever, this not so loving family slowly begins to unravel, espcially for young Danny who has the gift of telepathy, aka the Shine, which brings out the hotel’s former guests who never got a chance to properly checkout. There’s no jump scares, only a constant state of dread and mounting tension, accentuated by the unforgettable score. Nearly every scene is nightmare inducing, but if I have to pick the scariest, it’s gotta be Jack’s visit to the notorious Room 237.

Deemed by many as the greatest supernatural horror film of all time, William Friedkin’s adaption of William Peter Blatty’s The Exorcist, a story about an actress Christine MacNeil trying to save her young daughter Regan from demonic possession. Considered disturbing, shocking, and utterly vile by some viewers, the movie had people fainting and vomiting in the theaters. There was no doubt the movie was a cinematic masterpiece, as it won several Oscars, influenced pop culture, spawned sequels, influenced a new subgenre horror about demonic possession, and became the highest-grossing R-rated horror film until It in 2017, grossing a whopping $193 million with its theatrical run, a miracle considering how plagued the production was. The Exorcist went over budget and suffered several delays, including several crew deaths, leading to rumors that the film was actually cursed.

The infamous headturn scene, which has been parodied a thousand times over, is like nothing you’ve ever seen or heard. For all the foul-mouthed obscenities that are so commonplace nowadays, there’s just something morally reprehensible about the dialogue of this scene, the brutal violence shown, and the emotional agony from Christine trying to rescue Regan from a crafty demon. I’m not a particularly religious person, but it’s understandable why some people hate this film. My mother once said movies like this invite real evil into our world. I’m not sure if that’s true, but if it were, this is the movie that opened the floodgates.

You can find the Exorcist screaming on Max and AMC will air an edited version at 8:15 PT on Wednesday, October 2nd.

Happy Friday the 13th

Beware of Friday
and walking under ladders
my unlucky soul

Best Deaths in the Alien Movies

There have been a lot deaths in the past 45 years, between 7 movies in the Alien franchise. I excluded the two vs. The Predator due to time constraints, but it feels like those movies should have their own list anyway.

It may seem a bit morbid to cheer on death scenes, but who doesn’t love a great villain, or a great hero, depending where your love for the Xenomorphs lie. Besides, some knucklehead characters definitely deserved to have their faces melted off.

Every fan has their favorites, but these are my picks for most memorable deaths in th Alien Franchise:

Picking up immediately after the sequel, Alien 3 starts out with the tragic demise of survivors Newt and Hicks by a stowaway chestburster. Ripley survives, but the ship crash lands on Fiorina 161, a planet housing a penal colony for violent male criminals. The alien, now a quadrapedal runner continues its rampage after the stowaway chestburster morphs with a dog named Spike. At some point, Ripley realizes the reason she’s been surviving all these attacks is because she’s hosting a queen alien embryo, something that apparently happened during thrilling finale fight with the Queen Mother in Aliens.

Faced with a grave choice, Ripley eventually chooses to throw herself into the furnace to end the Queen’s hopes in keeping her species alive. It’s the kind of sacrifice we expect from one of cinema’s greatest heroines, but it was still sad and shocking to let Ripley go after cheering her on for three whole movies.

Alien Covenant saw the return of Alien creator and Director Ridley Scott who expanded the Xenomorph universe and attempted to answer the burning questions left by Promethesus. In a brief flashback scene, we see the synth David, who now believes himself a god, in pursuit of the perfect organism, unleash the terrible black goo on the unsuspecting engineers, wiping out the entire colony in mere seconds. If this isn’t an indicator that AI can’t be trusted, I don’t know what is.

Michael Fassbender as synthetic android David 8 with a god complex.

Set 200 years after Alien 3, Ripley is back, but this time as a cloned human-Xenomorph hybrid named Ripley8. Turns out the military has been doing experiments with Ripley’s blood and Xenomorph DNA in its lifelong search to create the perfect super soldier. Sadly, it took 8 interations before getting a decent clone of the original Ripley, and who knows how many failures.

Ripley8 comes across the ship lab and can barely control her emotions when viewing some of those failed abominations that came before her. She finds a badly disfigured mutant hybrid Ripley7 still alive but begging to be killed. Someone hands Ripley8 a flamethrower and she destroys every tortured creature in the entire room, providing the only decent scene in the entire movie. Well, at least until evil Dr. Wren loses his head (see best death #3).

After losing the protection of the space marines, Ripley and the lone colonist survivor Newt are on the run trying to escape. A wrong turn leads Ripley right smack into the Hive Monarch, the Queen Mother, and a brood of freshly laid eggs. Ripley blasts the flamethrower over the tops of the eggs as a warning, scaring the Queen Mother into telepathically communicating with the other grown Xenomorphs to back off and let them go, however, just as Ripley and Newt are in the clear, a pod opens. Knowing full well what comes next, Ripley uses the flamethrower to destroy the entire nest, infuriating the Queen Mother, and setting up one of greatest showdowns in cinema history.

Set after the events of first Alien film, Weyland-Yutani finds the wreckage of the Nostromo and collects a Xenomorph cocoon. Months later, a group of space miners led by Rain (inspired by Ripley heroine) who is shepparded over by a synth named Andy. The miners decide to improve their lives by raiding what they think is an empty space station, except it’s not. It’s filled all kinds of aliens, from facehuggers to warrior Xenomorphs, and while the crew manages to snag a good haul, no one is gonna collect a big payday if they don’t escape the ship. One by one, the miners are picked off.

Cailee Spaeny picks up the reins in Alien reboot.

After surviving an attack, a pregnant miner named Kay, against Andy android’s advice, chooses to inject herself with mysterious black goo, hoping it will only heal her wounds, but this black goo is actually filled with Queen alien DNA! Now, anyone who saw Alien: Covenant knows this is gonna get bad. Kay gives birth to the stuff of nightmares and this creature wastes no time trying to get a little protein from mama. I dont want to spoil anymore. Just know that motherhood is a killer.

A planet dedicated to violent inmates, sounds like a dream (that’s sarcasm, kids). With a demanding movie studio hellbent on capitalizing off the success of the action packed Aliens, young budding Director David Fincher only had to produce enough blood, guts, and acid baths to repeat box office numbers. Unfortunately that led to Fincher completely disavowing his own film and he might not have it wrong. Alien 3 is pretty abysmal and one of the most openly talked about problematic movie shoots in history. One of most glaring problems was the characters were all unredeemable bad guys, totally unlikable, uninteresting, and completely expendable. To no one’s surprise, the Xenomorphs become every bit the heroes that Ripley was.

Luckily, the movie did have some entertaining deaths, like when inmate Thomas Murphy looks for his missing dog Spike down a dark hole. Spike is a goner, and the inmate gets a face full of acid from fidomorph, but that’s not what kills him. Gravity sucks the man down into one of those giant industrial fans, and viola, memorable death scene #5.

After touching down on Origae-6, Security detail Ledward joins the expeditionary team to investigate their surroundings. It doesnt take long before Ledward gets exposed to black fungal spores and immediately fall ill.

Back in medbay, we learn those spores bore an alien organism that has been growing inside of Ledward, but instead of exiting through the chest like a normal chestburster, this alien came out Ledward’s back! It was particularly gruesome and shocking death, if nothing else because it changed 3 decades worth of knowledge about chestbursters. I guess we do learn something new every day.

ALIEN: COVENANT

In each Alien movie, there’s always at least one jerk, human or synth, who truly deserves a gory, nasty end of life, and in the 4th installment of Alien franchise, that jerk is Dr. Mason Wren, a manical military scientist who mixed Ripley’s DNA with Xenomorph DNA and tortured his subjects for years. While attempting to escape the Xenomorphs, Wren takes another crew member Call hostage, just as Purvis, one of Wren’s recent test subjects, realizes his own end is nye because he’s been impregnated by a facehugger. Purvis attacks Dr. Wren in a frenzy and when the chest burster arrives, let’s just say we get a two for one and it felt like justice was served.

When fellow crew member Ash attacks and sabotages Ripley’s efforts to kill the alien, Parker steps in, fights and decapitates him. Only then do they realize Ash is really a synth! The betrayal runs deeper than that though, after reconnecting the head to get some answers, Ripley and Parker learn Ash has been directed by their evil employer Weyland-Yutani Corporation to bring back the alien organism for study, even if it means sacrificing the crew. As they leave, Parker takes a flamethrower to Ash for good measure, ensuring the robot doesn’t interfere with their escape plan, and honestly, it’s one of the most satisfying deaths in the entire franchise.

One of cinema’s most shocking moments was the death of Kane, Commander of the ill-fated USCSS Nostromo, after being impregnated by an alien organism, now affectionately known as a facehugger. Up until that moment, we were just an innocent unsuspecting audience watching some unlucky space crew eat dinner, after answering a distress call from a derelict spaceship and finding nothing but creepiness. The emergence of new parasitic creature chest bursting into our consciousness totally rocked our world.

Even today, some 45 years later, that scene still terrifies new audiences. Chestburster deaths have been included in every film since and it never gets old; it’s never not a gory surprise and that’s why the very first death in Alien, is the most memorable death in the entire franchise.

Monthly Haiku Corner – August

Happy August! We’re getting very close to the Halloween season. July was a shitshow and I’d like very much to leave the month behind. I promise more social media interaction, a recap of my time from Midsummer Scream along with lots of pictures, and an entertaining movie list for August.

This month’s theme is August Aliens. In celebration of Alien: Romulus from legendary Director and Producer Ridley Scott, which is the latest installment set in the Alien universe, one of my favorite franchises of all time. This month, I’ll pay tribute to the Xenomorph lore and also the dark fantastical artwork of beloved Swiss Artist and Designer H.R. Giger, original creator of Xenomorphs. Giger and the design and special affects team won an Academy Award for the sci-fi horror spectacle Alien, 1979.

dark corridors
alien lifeform unleashed
terror in deep space

Artwork by H.R. Giger. To see more wonders of Giger’s macabre biomechanical world and learn about this legendary artist, please visit H.R. Giger Museum.

Happy Father’s Day 2024

It’s been a while since I’ve had a chance to post about any horror movies. Seeing as it’s Father’s Day and people might be relaxing at Grandpa’s house, I thought I’d make a Scariest Dads of Horror list, in case you were worried your family was a buncha weirdos.

The guys on this list range from deranged psychotic killers to demonically possessed deranged killers. All of them have killed somebody, or several bodies, but those who try to kill their own family especially take the cake, cuz if Daddy wants to kill you, what chance do you have out there in the real world?

Scariest Dads of Horror

Happy World Storytelling Day!

I always love March because it gives me a chance to mention my favorite spooky creature, the headless horseman. You mean the guy from that story with Ichabod? Yes, that guy! The Legend of Sleepy Hollow written by Washington Irving was most likely inspired by the legendary Dullahan, a menacing spectre of Irish lore, that travels the countrysides of Ireland and Scotland, collecting souls of the recently departed.

The Dullahan is a demonic fairy or wicked hobgoblin, often accompanied by a wailing banshee, and typically depicted riding a black horse, carrying his head under one arm and a whip made of boney human spine in the hand of the other. When the Dullahan calls out your name, death is nigh. It’s also said that just hearing or seeing the Dullahan is an omen that a death in the family is immenient.

Sometimes, the headless horseman is drives a silent black carriage, known as the coiste bodhar (Ireland) or the hell wain (Scotland), which is led by six black horses and emerges out of nowhere from the dark night sky. Legend says once the death coach sets out, it can never return empty, but if you carry even a single gold coin in your pocket, you have nothing to fear, for supposedly, any item made of real gold can send the Dullahan away. However, if you steal the entire pot of fairies’ gold, well…look to the skies.

Of all the Irish legends, the story of the Dullahan is by far the scariest, again, inspiring the legendary Headless Horseman of Sleepy Hollow and countless other stories, books, movies, comics, video games, you name it. There are four movies featuring the Dullahan or coiste bodhar, the banshee, and other creatures that I absolutely adore and highly recommend. Be sure to move these into your queue:

Walt Disney’s Adventures of Ichabod and Mr. Toad, 1949

Tim Burton’s Sleepy Hollow, 1999

Darby O’Gill and the Little People

The Phantom Carriage, 1921 (silent)

St Patrick’s day may have past, but we can keep the mythical stories of Irish folklore alive all year long.

Monthly Haiku Corner – February

Valentines is the epitome of an overcommercialized holiday. It imposes on parents, encourages sexual stereotypes, enables predatory behavior, and obstracizes the lonely, making them feel worse than they already do. Cue the horror fans, who have basically hijacked February to be our second Halloween. Nothing wrong with love, enjoy your flowers. My couples advice though, stay clear of small intimate restaurants next to dark alleys. This month’s theme is cannibals in love.

nibbling hunger
romantic dinner for two
cannibals in love

Haiku of the Week

Part IV and the conclusion of the Red, White, and Ghoul series.

praise to Uncle Sam
dropping bombs on their own
Americana

Haiku of the Week

Part V and the conclusion of May Mutant Monster series.

hunting the beast
following the blood trail
captured