Peter Cushing reprises his role as the brilliant Baron Doctor Victor Frankenstein in this sequel to The Curse of Frankenstein 1957.
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Having escaped the guillotine with the help of a hunchback man named Karl, Baron Frankenstein escapes to Germany and assumes the name of Dr. Victor Stein, where he equally caters to the rich and helps the poor with their ailments at a local pauper’s hospital.
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It’s been three years since this new Dr. Stein showed up, and the local medical council is miffed with him for refusing to join their stuffy board, so they dispatch three advocates to see what he’s up to. Among them, young scientific admirer Dr. Hans Kleve, who recognizes the Baron immediately and returns later to blackmail Stein, but he doesn’t want money, he wants to partner up!
Turns out, Dr. Stein’s new gig is a bit of ruse, since now he’s able identify patients who are about die or lose a limb, which helps him collect body parts for his experiments much more easily.
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Dr. Stein shows Dr. Kleve his newst creation and relays plans to transplant a living brain into a healthy body. In fact, he’s already found a donor, his henchman Karl, who is more than willing to swap his decrepit body for a new one, especially after meeting Dr. Stein’s new assistant Margaret.
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At first, the transplant is a success, but when Dr. Kleve tells Karl he’s a medical sensation, Karl panics, knowing that Dr. Stein’s previous experiment, transplanting the brain of an orangutan into a chimpanzee turned the poor creature into a cannibal.
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Karl runs away after killing the lab’s vile janitor during a violent fight and hides out in the stables belonging to Margaret’s Aunt.
Unfortunately, Karl’s deformities eventually mysteriously return and Karl does indeed turn cannibal. After killing a few townspeople, Karl then heads to a party to kidnap Margaret but is caught. He screams out Frankenstein’s name and the whole town now knows Victor Stein is really the outlaw Baron Frankenstein!
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Although not quite as scary as the first film, Terence Fisher directs another well-plotted out thriller with stellar performances from the cast all around. I ways loved how Fisher allowed Cushing not to portray Frankenstein as a madman but more an overzealous brilliant scientist. I recommend this one for the high production quality, the comedy of 1950s special effects, great performances, and the glorious melodrama like only a Hammer Horror film can provide!
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